Skip to main content

Justin Guarini & Kelly Clarkson - "Timeless"

Okay, so I promise to cut out the American Idol stuff now (at least until season 3 is over), but this is a great song, perhaps the best to come out of the AI experience thus far.

It has the unfortunate distinction of being featured in the stinkbomb film From Justin To Kelly (which I saw in the theater...how many people can actually say that?!). Actually, I think its inclusion in the movie is one of the reasons I like it so much, but I'll get to that soon.

First off, I hated Justin on American Idol. I thought he was cheesy and pandered to the crowd. He seemed like that guy at work who will do whatever it takes to get in with the boss. He seemed shady. So I shed no tears when I heard recently that he was dropped from his label. But I won't deny that he has a good voice.

The song itself is a passionate dramatic love duet, the likes of which we haven't seen in ahwile. The art form flourished in the '70s and '80s, and continued through the Disney movie ballad trend in the early '90s, but since then has been neglected. Had the movie been a hit, this song might have single-handedly resurrected it. Both singers are in rare form, and their voices sound great together.

The lyrics are all about a timeless love, and not letting the moment slip away, holding tight, baby, not letting it fade out of sight, etc. In the movie, this song was performed at a crucial moment when Justin and Kelly were on a sailing date. While they sing, he's piloting the boat, and she's sitting on the bow with her back to him. I believe he was wearing some sort of sailor's cap at the time. It was priceless, let me assure you.

So when I hear the song, I picture that scene, and I can't help but smile. I don't know if that was the intention, but it works for me!

Album: Justin Guarini (2003)
Fave Moment: Justin sings with intense conviction: "Don't let it fade out of sight!" In the movie, his face twists up and looks almost menacing.

Comments

Popular posts from this blog

Honoring the Legacy of REO Speedwagon

I suppose I should have known the saga of REO Speedwagon couldn't end with a whimper. Before I get into the latest developments, here's a brief review of what's happened so far: In September 2024 came the announcement that the band was effectively breaking up at the end of the year. Apparently, frontman Kevin Cronin ruled that bassist Bruce Hall was no longer fit to continue touring following back surgery in summer 2024. Hall felt otherwise. Here we learned that REO had essentially become a three-way partnership between Cronin, Hall, and Doughty (who retired from touring in January 2023) following the departure of original members Alan Gratzer and Gary Richrath in 1988. Doughty sided with Hall, so Cronin was outvoted 2-1. No Bruce Hall, no REO Speedwagon. In December 2024 Cronin revealed he would continue performing REO Speedwagon songs with the two musicians who replaced Doughty and Hall, as well as Brian Hitt and Dave Amato (who replaced Gratzer and Richrath), with the on...

The Unlikely Musical Life of Tom Kelly

You may not know the name Tom Kelly, but I guarantee that you've sung along to songs he wrote.  Born in West Lafayette, Indiana in 1952, Tom moved to Effingham, Illinois when he was 11 years old, just in time to witness the Beatles' debut on Ed Sullivan. Bit by the rock music bug, he joined a local band called the Trifaris, singing and playing bass. His family moved back to Indiana in '66. When Tom finished high school, he decided to go to college in Illinois, but his choice was made based on extracurricular factors, not academic ones. "I started at Eastern [Illinois University] because there was a band,” he told the Effingham Daily News in 2011, “Then I transferred to Southern [Illinois University] because there was another band.”  Champaign, Illinois  Continuing his college hopping, Tom headed closer to home to attend Purdue, and there he had a group called The Gaping Huggers, comprised of former fellow Trifari JC Marshall on drums, and University of Illino...

Billy Joel: Cold Spring Harbor (1971)

We started at the end, and now we finish at the beginning.  Billy Joel's first solo album has a reputation as a sort of curiousity in his catalog. For one, it was quite hard to find for a long while, as it was initually released on a small label called Family Productions and was very spottily distributed. Another bit of intrigue was that the album was initially mastered at the wrong speed, with the main effect being Billy's vocals - which were already much higher-pitched than what we'd become used to - being pitched up to near Alvin and the Chipmunks levels. In 1983, with Billy at the height of his commerical success, the album was remixed, and given some overdubs and edits. That stands today as the "offical" version, though neither the fans nor Billy himself are happy with it. So I suppose a caveat to this entire review is that Cold Spring Harbor is not the album it was intended to be. That said, I'm going to attempt to take it at face value, using the widel...