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Showing posts from November, 2005

Heads Up!

Talking Heads finally got around to remastering their albums and have released the results as an 8-disc set called The Brick. The albums were remastered by Heads guitarist Jerry Harrison and feature expanded artwork, bonus tracks, and extra DVD content. This is heaven for a Heads enthusiast such as myself. But one quibble: For a band that always prided themselves on their artistic sensibilities, it seems ludicrous to put these albums out with no back artwork or side labels. It's all just white, making the albums indistinguishable from one another on the shelf. That aside, I thought I'd guide you on a tour through the Talking Heads recorded career. It's a journey that spans 11 years, countless musicians, and 1 big suit. 87. Talking Heads - Talking Heads: '77 (1977) In artistic terms this is a rough sketch for the larger masterpiece. It features the building blocks of the band's future structure: rhythm, live energy, strange lyrics and goofy singing. Though they came

Robbie Fulks - "Fountains Of Wayne Hotline"

Another from the curiosity department: I came across this single on iTunes and was immediately intrigued. For one thing, Robbie Fulks appeared on my radar this year with Georgia Hard , a better than decent country throwback album. Also, who what Fountains Of Wayne fan could pass up that title? Turns out it's basically a metasong, a song about writing a song. That's not especially rare, especially if you're a Weird Al Fan ("This Song Is Just Six Words Long" anyone?). What's so curious is that one can't tell if Fulks is paying tribute to FOW, or deriding them for being formulaic. The song is broken into three parts. The first is a quiet verse wherein Fulks tells us he's tired of having zero success as a country music writer/performer and needs a new sound. So he calls the Fountains Of Wayne Hotline, a musical advice service. He speaks to Gerald, who tells him to spice up the second verse with a "radical dynamic shift" and a "full ba