Skip to main content

'83 Going On '87

I watched the movie 13 Going On 30 last night. In case you don't know, the premise is this: On her 13th birthday, a girl named Jenna wishes she was 30, and it magically happens. The movie starts out in 1987 and makes use of several '80s songs for key plot points.

While I'm not in the business of reviewing movies for this site, I will say that I enjoyed this movie for two reasons: 1) I am in love with Jennifer Garner, and 2) for a supposedly escapist "girl movie" the film has a message that many people could use (namely, looking at your current life choices through the eyes of childhood might not be such a bad thing).

What I did not enjoy was the use of '80s songs! While none of them are bad, or anachronistic (meaning they didn't use anything from post-'87), the songs are surprisingly out of touch. Check out these four songs that play important roles in the movie: 1) Jenna is obsessed with Rick Springfield and his song Jessie's Girl (1980); 2) Jenna loves Michael Jackson's Thriller (1982), and when she's 30 spices up a party by doing the zombie dance; 3) Jenna befriends a 13-year-old girl in her apartment building and emboldens her by quoting Love Is A Battlefield (1983) by Pat Benatar (and later dancing to it at a slumber party); and 4) Jenna's friend Matt alienates a bunch of the popular party-goers by putting on Burning Down The House (1983) by Talking Heads.

Before you say "so what?"consider: How many 13-year-olds are listening to stuff that came out 4 (or more) years ago? When you're 13, you follow the latest trends! You're a demographic! Both Rick Springfield and Pat Benatar were off the radar in '86 and '87! Springfield's career died out in '84 and Pat didn't have an album out those years. Michael Jackson was the bees knees in those days, of course, but 1987 was the year Bad came out! It's much more likely she was dancing to the title track in her room, like I used to. Finally, the Talking Heads were a great choice to be Matt's favorite band (you even see him wearing a vintage TH shirt as an adult) because they are one of the coolest but idiosyncratic bands ever. The thing is, they'd had two big albums in '85 and '86, Little Creatures and True Stories. It's more likely Matt would be grooving to something from one of those.

So here is what I would have done if the producers had seen fit to consult me: 1) Rick Springfield would have been replaced with either Bon Jovi (Livin' On A Prayer was the biggest hit of '87) or George Michael (the Faith album was all the rage in '87); 2) Thriller would have been replaced with Bad (the song isn't as good, but there was a great dance to it); 3) Love Is A Battlefield would have been booted in favor of Janet Jackson's Control (it has a similar "girl power" message and was a big hit in '86); and 4) the Talking Heads song that the popular kids couldn't stand would have been Wild, Wild Life.

There are other '80s songs and references, and these are also hit and miss. For example the use of Belinda Carlisle's Mad About You (1986) and Whitney Houston's I Wanna Dance With Somebody (Who Loves Me) (1987) were right on, as was Jenna's mention of Wang Chung (they'd just had a huge hit with Everybody Have Fun Tonight in 1986).

But we also hear The Romantics' What I Like About You (1980), Soft Cell's Tainted Love (1982), the Go-Gos' Head Over Heels (1984), and Madonna's Crazy For You (1985). With the wealth of great hits that came out in '87 I would have liked to have heard U2's With Or Without You, Def Leppard's Hysteria, Cutting Crew's (I Just Died) In Your Arms Tonight, and Madonna's Open Your Heart. Prince, Bruce Springsteen, David Bowie, and the Smiths also had awesome stuff out around this time.

Aren't you glad I'm here to think about these things, so you don't have to?

Comments

Popular posts from this blog

The Unlikely Musical Life of Tom Kelly

You may not know the name Tom Kelly, but I guarantee that you've sung along to songs he wrote.  Born in West Lafayette, Indiana in 1952, Tom moved to Effingham, Illinois when he was 11 years old, just in time to witness the Beatles' debut on Ed Sullivan. Bit by the rock music bug, he joined a local band called the Trifaris, singing and playing bass. His family moved back to Indiana in '66. When Tom finished high school, he decided to go to college in Illinois, but his choice was made based on extracurricular factors, not academic ones. "I started at Eastern [Illinois University] because there was a band,” he told the Effingham Daily News in 2011, “Then I transferred to Southern [Illinois University] because there was another band.”  Champaign, Illinois  Continuing his college hopping, Tom headed closer to home to attend Purdue, and there he had a group called The Gaping Huggers, comprised of former fellow Trifari JC Marshall on drums, and University of Illino...

12 More by Collective Soul

  Sometimes an artist just needs 12  more  songs to summarize their career. Case in point... Collective Soul released a pretty decent best of compilation - 7even Year Itch: 1994-2001 - nearly a quarter of a century ago, but there's been nothing to summarize their output since then. Considering that output consists of seven albums and a couple of EPs, we've got our work cut out for us. (Since the band stopped having "hits" in 2009, most of these are just my personal preference, though I did give the singles first consideration). 1. "Better Now" (from Youth , 2004) "Better Now" is buzzy burst of optimism that has stood the test of time/\. 2. "There's a Way" (from Youth , 2004) Great riff, great chorus, great bridge, great song. 3. "What Can I Give You" (from Afterwords , 2007) Fascinating structure on this one: It starts out somewhat pedestrian, then goes into a soaring chorus followed by an even more melodic post-chorus, the...

86. The Magic Numbers - The Magic Numbers (2005)

Very few things in life can sustain the same level of excitement from beginning to end, and The Magic Numbers' debut album is no exception. Like a party that's loud, full and hoppin' from the get-go and then eventually dwindles down to a quiet few, the CD makes its statement early and then fades away. Mornings Eleven is a helluva opener. It consists of two separate sections; the first makes you want to shake your ass, the second makes you want to swoon. Going from country-rock boogie to '50s doo-wop harmony, the two movements spend the song alternating back and forth, and it's effective enough to make the 5-and-a-half minute running time seem too short. As the album continues that becomes a recurring theme. The songs are long, but rarely overstay their welcome. That's a tribute to Romeo Stodart's compositions, but another factor may be that the group consists of two sets of brothers and sisters (the Allman Brothers would be proud). I believe that familial s...