Skip to main content

Jellyfish - "I Wanna Stay Home"

Jellyfish, mentioned here several times but never fully explained, are a mostly obscure California band who made two wonderful albums in the early '90s and then broke up.

Their first album, 1990's Bellybutton, sounded like Cheap Trick with Beach Boys instrumentation. It was immaculately written, performed, and produced and even gained some MTV exposure for the songs That Is Why and The King Is Half-Undressed. In 1993 they put out a second album, Spilt Milk, and it was weirder and more complex. It was like making the jump from Rubber Soul to Magical Mystery Tour in one album. The band added more influences, specifically Queen, and it is a beautiful record.

This song, I Wanna Stay Home, is a reflective tune, with acoustic strumming, subdued trumpet, and soaring harmonies. Lyrically, the title says it. While listening in the car today, the song really struck a chord with me. It got me thinking: To be truly happy with your home (both actual structure and city) is no small thing. People who have these things and are really happy with them tend to take them for granted, but not everyone is so lucky.

As my summer break from school has started I find myself spending more and more time in my apartment. And yes there are times I just need to get out, but for the most part, I love being there. I've always been like that. Sometimes, when I'm away, I think about being back, sitting in my recliner and reading as the sunlight pours in, or laying on the couch watching a good movie.

It's the same when I take a trip out of town. Mostly I just think about how glad I'll be to get back home.

It's not a new idea. Judy Garland said it best at the end of the Wizard Of Oz, and Diana Ross reiterated it in The Wiz with Home. Jellyfish are somewhat more cryptic. The narrator seems to miss a place he used to call home and is now looking for "the place I can take a walk on my blind side." He goes on: "When these memories fade / In my ripe old age / Please remember my dear / I wanna stay home." He's telling us to hold on to a place where we feel comfortable, and where we actually want to be.

It sounds simple, but the best advice always does.

Album: Bellybutton (1990)
Fave Moment: The middle eight; like all great bridges it's a completely different hook and, as a melody, could really have its own song.

Comments

Popular posts from this blog

Honoring the Legacy of REO Speedwagon

I suppose I should have known the saga of REO Speedwagon couldn't end with a whimper. Before I get into the latest developments, here's a brief review of what's happened so far: In September 2024 came the announcement that the band was effectively breaking up at the end of the year. Apparently, frontman Kevin Cronin ruled that bassist Bruce Hall was no longer fit to continue touring following back surgery in summer 2024. Hall felt otherwise. Here we learned that REO had essentially become a three-way partnership between Cronin, Hall, and Doughty (who retired from touring in January 2023) following the departure of original members Alan Gratzer and Gary Richrath in 1988. Doughty sided with Hall, so Cronin was outvoted 2-1. No Bruce Hall, no REO Speedwagon. In December 2024 Cronin revealed he would continue performing REO Speedwagon songs with the two musicians who replaced Doughty and Hall, as well as Brian Hitt and Dave Amato (who replaced Gratzer and Richrath), with the on...

Billy Joel: 1980 - 1977

When I decided to write about every single Billy Joel studio album I knew had a bit of a leg up in that I'd written reviews of a handful of his records already. What I didn't realize until just now was that those reviews were of albums that had been released consecutively between 1977 and 1980. As I reread those reviews - the most recent of which is 14 years old! - I found that I still stand by them. My writing style has mellowed a bit, and I no longer give grades to albums, but otherwise my opinions then are my opinions now. So here you go... Billy Joel: Glass Houses (1980) Billy Joel: 52nd Street (1978) Billy Joel: The Stranger   (1977)

Billy Joel: Cold Spring Harbor (1971)

We started at the end, and now we finish at the beginning.  Billy Joel's first solo album has a reputation as a sort of curiousity in his catalog. For one, it was quite hard to find for a long while, as it was initually released on a small label called Family Productions and was very spottily distributed. Another bit of intrigue was that the album was initially mastered at the wrong speed, with the main effect being Billy's vocals - which were already much higher-pitched than what we'd become used to - being pitched up to near Alvin and the Chipmunks levels. In 1983, with Billy at the height of his commerical success, the album was remixed, and given some overdubs and edits. That stands today as the "offical" version, though neither the fans nor Billy himself are happy with it. So I suppose a caveat to this entire review is that Cold Spring Harbor is not the album it was intended to be. That said, I'm going to attempt to take it at face value, using the widel...