Skip to main content

12 More by Nada Surf

Sometimes an artist just needs 12 more songs to summarize their career. Case in point...

In the second half of the 2000s and throughout the 2010's, Nada Surf have continued to create thoughtful indie pop that often doubles as a cathartic therapy session.

You don't want to miss the 12 by Nada Surf list that covers the first part of their career.


1. "Whose Authority" (from Lucky, 2008) 
Holy cow, had they been listening to Teenage Fanclub, or what?! 

2. "Beautiful Beat" (from Lucky, 2008) 
An an ode to the power of song, but is also the exact kind of song it's about. Just like the snake eating its own tail.

3. "Love Goes On" (from If I Had a Hi-Fi, 2010)
A swiftly-moving cover of a great 1988 tune by the Australian band The Go-Betweens. The Nada Surf version replaces the original's flamenco guitar with horns, making it more Stax than Spanish.

4. "The Agony of Lafitte" (from If I Had a Hi-Fi, 2010)
When you can make a cover sound like it was your own song, then you've done it right. That happens with this take of Spoon's 2000 kiss-off to Elektra Records, a label that had also dropped Nada Surf.

5. "The Moon Is Calling" (from The Stars are Indifferent to Astronomy, 2012)
Musically soaring, lyrically mysterious.

6. "Waiting for Something" (from The Stars are Indifferent to Astronomy, 2012)
"It always feels like I'm waiting for something." I can relate.

7. "Jules and Jim" (from The Stars are Indifferent to Astronomy, 2012)
A jangly ode to the 1962 Truffaut film of the same name, in which singer Matthew Caws finds himself identifying with all three of its main characters.

8. "Believe You're Mine" (from You Know Who You Are, 2016)
A gorgeous break-up tune.

9. "Animal" (from You Know Who You Are, 2016)
Holy cow, had they been listening to Tom Petty and the Heartbreakers, or what?!

10. "80 Windows" (from Peaceful Ghosts, 2016)
Peaceful Ghosts is Nada Surf's requisite rock-band-does-a-live-album-with-a-symphony record. Those are typically more fun for the band to make than they are for fans to listen to, but this rendition of "80 Windows" is a clear improvement on the 1998 studio version, ratcheting up the dynamics and the drama.

11. "So Much Love" (from Never Not Together, 2020)
A sort of spiritual sequel to "Always Love," "So Much Love" is a much-needed reminder that sometimes the trick to happiness is in reorienting our thinking. 

12. "Something I Should Do" (from Never Not Together, 2020)
With its spoken word sections this song recalls "Popular." But instead of reading from a ridiculous etiquette manual, Matthew Caws rants like a street preacher. His message is a secular plea for fighting against cynicism, and not giving up on those who are stubbornly resistant to embrace their inner humanity: "Empathy is good / Lack of empathy is bad / Holy math says we are never not together."

Comments

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n...

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

Billy Joel: Greatest Hits, Volumes I and II (1985)

As you may know, I'm something of a connoisseur of compilations. I have three guidelines that I like my greatest hits to follow, though I am open to these rules being disregarded in certain cases. It's not an exact science. Billy Joel's 1985 Greatest Hits Volumes I and II (an odd title for a set that was never sold separately) is proof of that.  It mostly follows the rules. The songs are in chronological order. There are no remixes, just a couple of single edits; there are two live songs, but those were actually were the versions that charted. And there are two new songs - we'll get to them eventually - but both ended up in the Top 40, so in retrospect that was a good decision. My mom bought the double LP when it came out and then dubbed it to a tape that lived in her car for at least three years. It and An Innocent Man were part of the soundtrack of the second half of my first decade of life. So I have a hard time criticizing something so ingrained in my consciousne...