Billy Joel: River of Dreams (1993)

River of Dreams is Billy Joel's 12th and (up to now) final album.

It's an album possessed of anger, cynicism, and resignation. These emotions and themes were nothing new for Joel, but not since 1982's The Nylon Curtain had he released such a downer collection. In fact, the three songs that got radio play (the title track, All About Soul, and Lullabye) are the only fully positive songs on the record. 

The album is a slow starter. Opening song No Man's Land is a guitar heavy condemnation of modern society. Billy had written eloquently about societal ills before (such as the plights of working men and women on "Allentown" and The Downeaster "Alexa"), but here ham-fistedly takes lower-rung topics like mega-malls, tabloids, and television. Great Wall of China is similarly bitter, and at first blush appears to be a pretty good break-up tune. However, further analysis points to the song being about a business partner or manager of some sort, given that it's addressed toward a man, and the line "In lieu of diamonds, gold, and platinum / Reminders will still shine bright." The song is quite strong melodically, with a definite mid-period Beatles feel.

 

Blonde Over Blue is in that same musical vein, and alternates despairing verses with buoyant choruses about a girl who inspires him. A Minor Variation has a groovy, blues-based sound and lyrics that are not the words of a well man. The final lines of the song go: "Until I'm through with this blue situation / Pass me the wine, it's just a minor variation." It wouldn't be so bad if Joel's alcohol addiction and depression issues weren't a matter of public record. 

Shades of Grey just beats out No Man's Land as the album's worst moment. It's an awkward rock song with strained vocals and lyrics that don't say anything that Davy Jones didn't say better 27 years earlier in the Monkees song of the same name. 

Of course, the hits of the album are strong, especially All About Soul (a love song for wife Christie Brinkley, though they would divorce the next year) and the title track is essentially Billy-Joel-does-Paul-Simon's-Graceland. 

The album's last two songs round out a strong finish, mostly because they are a return to the piano-based songwriting that is Joel's strength. Two Thousand Years is sort of a spiritual sequel to the apocalyptic Miami 2017 (Seen The Lights Go Down On Broadway), looking forward to building a bright future on a crummy past. Billy wisely dusted this off for his millennium concerts. 

Finally, we come to Famous Last Words. As I said before, it seems that Joel has already made his decision to call it quits, and it almost seems that he already knew his future held a series of never-ending tours: "These are the last words I have to say / Before another age goes by / With all those other songs I'll have to play / But that's the story of my life." It's worth noting that he also says, "There will be other words some other day." And thankfully, there have been some other words.