Skip to main content

REO Speedwagon: Find Your Own Way Home (2007)

Where We Left Off:
REO Speedwagon's 1996 album Building the Bridge was their first album not to chart since 1972's R.E.O./T.W.O.. But their appeal as a live concert draw continued to grow, especially as nostalgia for the 1970s and 1980s built.

*

While it wasn't quite as long as the wait for Chinese Democracy, REO Speedwagon fans endured an egregious 11 years between Building the Bridge and a new album. All they had to tide them over were two songs on the 1999 Epic compilation The Ballads: "Just For You" (written by Kevin Cronin with Jim Peterik from Survivor) and "Til the River Runs Dry" (by Cronin and singer-songwriter Jimmy Scott).

It seems the band had considered themselves retired from recording after the tepid reception to Building a Bridge, but according to Cronin, a 2000 tour with Styx - specifically seeing a new generation of fans singing along with the old songs - lit a fire under the band to start working up new material again.

The result was Find Your Own Way Home, which came out in April 2007. The band self-released the record, and cut a deal with XM Satellite Radio to put it out as part of a special three-CD set at Wal-Mart and Sam's Club (the other two discs were a DVD of unplugged performance/interview and a CD with a live version of Hi Infidelity).

Though they'd only recorded two albums together, the Hitt-Amato-Doughty-Cronin-Hall line-up of REO had now been together longer than the classic Gratzer-Richrath-Doughty-Cronin-Hall line-up. And as surprising and inspiring as that might be, its undercut by the fact that Neal Doughty only plays on one track on Find Your Own Way Home.

Joe Vannelli (longtime keyboardist for his brother, "I Just Wanna Stop" and "Living Inside Myself" hitmaker Gino Vannelli), who co-produced the album, plays in Doughty's stead. Personally, I have a hard time accepting this. I realize that bands bring in other players to the studio, and that studio recordings are a different beast from live performances, but to replace the only player who'd been in the band since its inception doesn't seem justifiable. Perhaps Doughty was going through something that prevented him from participating fully, but if you've already waited 11 years between records, why not wait a bit longer until you're at full strength?

Setting aside that very large caveat, lets dive into the album itself. In short, it's pretty clearly the best of this line-up's three records. It expertly walks the line between the shiny, highly produced The Earth, a Small Man, His Dog, and a Chicken and the stripped-down Building the Bridge.

It's also the first REO album since Hi Infidelity to feel like a concept album. In an interview with Julio Diaz of the Pensacola News Journal Cronin spoke about how the band was meticulous in making sure every song fit together. He also said that part of the delay was a happy home life. "I normally do my best songwriting when my personal life is in the most chaotic state" he told Diaz.

Perhaps that's why this album's songs dig emotionally deeper than REO songs of the past. There's still a lot about love and romance, but a big theme on Find Your Own Way Home can be found right there in the title. Over and over again in the album's songs, the narrators are in that "chaotic state," and concluding in many cases that self-reflection, self-belief, and self-love are what's going to get them through it. In this way the tunes almost seem like both a form of therapy (or maybe the result of it).

The album opens with "Smilin' in the End" a song that belongs in two categories of REO songs. In one way it's a statement of defiance toward the bullies that continue to occupy some of Cronin's headspace ( see also, "Can't Stop Rockin'" and "Tough Guys"). But it's also on the long list of REO don't-give-up anthems. 

In fact, the whole album is really about perseverance, but less "roll with the changes," "keep pushin' on," and "ridin' the storm out" and more take-a-look-in-the-mirror-and-figure-your-shit-out.

The album's title track is sort of an inverse of the sentiment on "Can't Fight This Feeling." Instead of the narrator declaring he'll "come crawling across the floor / come crashing through your door" he's asking "are you gonna go the distance / step into the cold hard rain?" He wants her to fight for the feeling.

The other big ballad is "I Needed to Fall." Cronin has said it was the final song to fall into place for the record, and that it was part of a trilogy with "Keep On Loving You" and "Can't Fight This Feeling." Seems like hyperbole to compare a new song to two beloved #1 hits, but damned if he isn't close to right. The song uses an embarrassingly rich melody and stacked harmonies to tell another tale of feeling overwhelmed and lost. The verses are bleak, but the chorus repeatedly acknowledges the value of being laid low and having to rebuild, as well as the power of love to help that happen.

The rest of the album sporadically continues this theme of losing and finding your way. It's there overtly in "Lost on the Road of Love" and closer "Let My Love Find You." Dangerous Combination" and "Run Away Baby" both allude to trouble and strife. But it's the expansive "Everything You Feel" that brings it all home. One of the first songs written for the record - the band had played it in concerts as early as 2002 - the song is an advertisement for self-exploration and self-acceptance, encouraging the listener to both embrace and seek out the roots of their feelings. "You are everything you feel," Cronin tells us on the chorus.

Musically "Everything You Feel" is vibey, sounding a lot like the band circa Life As We Know It, with its synth, organ, shared vocals, and electric guitar solo. That makes it a musical outlier on an album that's the most country-and-blues leaning of REO's career. REO always had a slight country tinge, but it's fairly prominent here on "Dangerous Combination," "Lost on the Road of Love," "Another Lifetime," and "Let My Love Find You."

Finally, we have to talk about Bruce Hall's requisite contribution. It's called "Born to Love You" and it sounds a bit like the Blues Brothers jamming with Ray Charles, even down to the Raelettes (in this case, uncredited female background singers). Cronin takes over on the Beatlesesque bridge (John and Paul would have called it a "middle eight") which sounds like it could almost be another song completely. Overall, like most of Hall's songs, the tune provides a nice change of pace on the album.

*

Find Your Own Way Home was met with positive reviews all around, and though it didn't chart, it did produce the band's first radio hits since 1990, with "I Needed to Fall" getting to #25 on the Billboard adult contemporary chart, and "Find Your Own Way Home" rising to #23.

Despite the success, Find Your Own Way Home didn't send REO back to regular recording. Not counting 2009's Not So Silent Night...Christmas with REO Speedwagon, it has now been 12 years since Find Your Own Way Home, with no sign of a follow-up.

However, the band continues to tour regularly, and in recent years has debuted a new song called "Whipping Boy," but it's looking increasingly likely that Find Your Own Way Home will be the band's swan song. If that turns out to be the case, it's certainly a fine and fitting final statement.

Comments

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n

12 by Matthew Sweet (2002 - 2021)

Sometimes a huge part of an artist's career has not been summarized. Case in point... Matthew Sweet has a couple of compliations out there, but neither of them cover the past couple of decades, a span that has seen him release 8 albums of original material and 3 albums of covers.  I followed Sweet's career religiously early on, with my ardor gradually diminishing after the magnificant one-two punch of In Reverse (1999) and The Thorns (2003) That's not to say he hasn't produced some great work since then, it's just that it requires bit of effort to pick out the gems. Here's my college try: (Two of these albums are not available on streaming servies, so here's a slightly modified version of the playlist on YouTube .) 1. "I Can't Remember" ( The Thorns , 2003) The Thorns was a rootsy, close-harmony early-aughts version of Crosby, Stills, and Nash, featuring Shawn Mullins (of "Lullaby" fame) and Pete Droge (of "If You Don't Lov

The Beatles: "Now and Then" (2023)

All the way back in 2008, I wrote a series of  posts covering the recorded output of an obscure 1960s band called The Beatles. Though never especially popular or commercially successful, they managed to release an impressive 13 albums and 2 compilations in a 7-year period. Once I completed those reviews, I promptly forgot all about the Beatles. I was sure that I didn't need to keep tabs on them, because all indications were that they'd never reunite or release any more music. So you can imagine my surprise a couple of weeks ago when I came across a YouTube video claiming to be about the making of a new "final" Beatles song called "Now and Then." And then imagine even more surprise when I learned that this song was not the first new Beatles song since 1970. It's the third! As it turns out, the Beatles had actually "reuinted" to record more music in the 1990s. Though band member John Lennon was killed in 1980, he left behild some unfinished songs