Skip to main content

158. The Beatles: Please Please Me (1963)

One of the joys of being a music obsessive is discovering new bands, and recently, I've come across a doozy! They're called The Beatles, and they're not new, only new to me.

In my countless trips through the used CD and LP bins, I would occasionally come across one of their albums, but I always passed them by. I wasn't into obscure music, especially obscure music from the '60s. But one day, out of boredom, I picked up an album called Revolver. And like the proverbial snowball rolling down the hill, it grew from there.

Now, having investigated their entire body of work, I undertake the mammoth task of reviewing every single one of their albums. My hope is to bring them a little bit more exposure than they received in their brief, prolific career.

The Beatles introduced themselves in 1963 with Please Please Me, a lively affair dominated by harmony and energy. The band display a surprising depth of talent, with all four taking turns on vocals and two of the band members showing promising compositional skills.

At a time when rock 'n' roll bands were certainly not expected to write their own songs, The Beatles must have made a bit of a fuss, considering 8 of the 14 songs on the album are the work of bassist Paul McCartney and guitarist John Lennon. These include the opener I Saw Her Standing There, which is built on surf guitar and innuendo. Did anyone blink in '63 when these young men sang about a girl, "She was just 17 / You know what I mean"? Is it bad that I don't know what they mean? In a similar vein is the title track, depending on your definition of the word "please." "Like I please you," indeed.

Love Me Do and P.S. I Love You are strong, if minor, ditties. And Do You Want To Know A Secret finds young lead guitarist George Harrison on charming nasal vocals.

As for the covers, the boys showed themselves to have excellent taste, and a deft ability to choose material that suited them. Drummer Ringo Starr takes the stage for a raucous interpretation of The Shirelles' hit Boys. Lennon attacks Arthur Alexander's Anna (Go To Him) with a passionate lead vocal. There are also versions of songs by some of the eras most talented songwriting duos, Goffin & King's Chains and Bachrach & David's Baby It's You.

The only misstep is an overly mannered A Taste Of Honey, which Paul McCartney approaches as though he were singing it in a film. However, that is quickly remedied by the album's closing number, a take on the Isley Brothers-popularized Twist And Shout. Lennon sounds like his vocal cords will tear apart at any second as the band stomps up a storm. The girls must have loved that one.

All in all, this was a promising debut, smartly produced by George Martin. Many bands show all of their cards on the first hand, but not The Beatles. One gets the idea they were just getting started, and they knew it themselves.

Grade: B+
Fave Song: Please Please Me

Stay tuned for more reviews of albums by this great lost band.

Comments

Allen Lulu said…
hysterical.
i, too, only know of the band through a couple albums and their greatest hits work. This should be fun.
Will you do a "12" for them as well?
Paul V. Allen said…
I don't know if they have enough good songs to fill the "12 by" quota, but I'll consider it!

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n

The Beatles: "Now and Then" (2023)

All the way back in 2008, I wrote a series of  posts covering the recorded output of an obscure 1960s band called The Beatles. Though never especially popular or commercially successful, they managed to release an impressive 13 albums and 2 compilations in a 7-year period. Once I completed those reviews, I promptly forgot all about the Beatles. I was sure that I didn't need to keep tabs on them, because all indications were that they'd never reunite or release any more music. So you can imagine my surprise a couple of weeks ago when I came across a YouTube video claiming to be about the making of a new "final" Beatles song called "Now and Then." And then imagine even more surprise when I learned that this song was not the first new Beatles song since 1970. It's the third! As it turns out, the Beatles had actually "reuinted" to record more music in the 1990s. Though band member John Lennon was killed in 1980, he left behild some unfinished songs

Twenty Twenty-Three

2023 marks not only the 20th anniversary of this blog (an occasion I'm overdue to celebrate), but also 20 years of compiling a playlist of favorite songs to summarize my year in music consumption.  Though I still make an ultra-limited run of physical copies, for the most part this now lives in the streaming world. As such, if you have Amazon Music Unlimited you can listen at this link . The Tracks: 1. Mammoth WVH: "Like a Pastime" 2. blink-182: "Fell in Love" 3. Jonas Brothers: "Vacation Eyes" 4. Kylie Minogue: "Things We Do For Love" 5. Carly Rae Jepsen: "So Right" 6. Semisonic: "All the Time" 7. Caitlyn Smith: "High" 8. Wilco: "Meant to Be" 9. Jenny Lewis: "Chain of Tears" 10. The National (feat. Taylor Swift): "The Alcott" 11. Lufthaus & Robbie Williams: "Unlovable" 12. The Killers: "Your Side of Town" 13. Foo Fighters: "Show Me How" 14. The New P