Skip to main content

106. Teddy Thompson - Separate Ways (2006)

Teddy Thompson is the son of Richard and Linda Thompson, and this begs the question, what would it be like to be the scion of the couple that made one of the best break-up albums of all time (Shoot Out The Lights)? Strange, I'd guess.

Children of rock stars who try to make a go of it on their own have approached it in a multitude of ways. In Jakob Dylan's case, he purposefully distanced himself from his father as he tried to make his own name. At the other extreme there's Ben Taylor, who just flat out imitates James.

Teddy doesn't sound like Richard, nor does he run away from the relation. In fact, it seems life can be good when you have a widely respected guitarist / songwriter for a dad. The impressive list of guest players on this album includes Garth Hudson (The Band), Dave Mattacks (Fairport Convention, XTC) and, on five songs, Richard himself. What's more impressive is that Teddy still manages to show he has the chops to make it on his own.

As an album, Separate Ways is well-sequenced and varied in mood and style. In terms of individual songs, standouts include the musical self-pep talk I Should Get Up, the lost Crowded House hit Altered State and You Made It, a pop rocker that includes the line "you're so good looking," which will have a nice double meaning for any Seinfeld fan.

The title track serves as a centerpiece for the album and for a trilogy of songs about the end of a relationship. Separate Ways manages to be both earnest ("not all who love are blind / some of us are just too kind") and funny ("I don't care about you / If you don't care about me"). That's actually a combo that shows up a couple of times on the record, and Thompson handles it quite well.

To wit, I Wish It Was Over (the first part of the trilogy) injects humor into the serious matter of bad relationships. Basically, he tells his lover he can't stand her anymore and says, "this bein' together / is tearin' me apart." Similarly, the opener, Shine So Bright, sounds like a serious meditation, complete with heavenly background vocals from fellow musician offspring Martha and Rufus Wainwright. But a close listen to the verses and you realize that Teddy has his tongue firmly in cheek while wishing for a ludicrous level of fame.

The funny lyrics / serious delivery method wouldn't work for a whole album. And why would you want it to, when a country tune like Sorry To See Me Go (the final part of the break-up trilogy) can be so stirring in its simplicity? Or a song like That's Enough Out Of You, which is just straight up funny, and foot-stomping to boot? It's such an effective kiss-off, it makes me wish I was really pissed at someone!

As he proves on Separate Ways, Teddy Thompson knows how to use his music to work through negative emotions. I guess he comes by that pretty honestly.

Grade: B+
Fave Song: Altered State

Comments

Popular posts from this blog

The Unlikely Musical Life of Tom Kelly

You may not know the name Tom Kelly, but I guarantee that you've sung along to songs he wrote.  Born in West Lafayette, Indiana in 1952, Tom moved to Effingham, Illinois when he was 11 years old, just in time to witness the Beatles' debut on Ed Sullivan. Bit by the rock music bug, he joined a local band called the Trifaris, singing and playing bass. His family moved back to Indiana in '66. When Tom finished high school, he decided to go to college in Illinois, but his choice was made based on extracurricular factors, not academic ones. "I started at Eastern [Illinois University] because there was a band,” he told the Effingham Daily News in 2011, “Then I transferred to Southern [Illinois University] because there was another band.”  Champaign, Illinois  Continuing his college hopping, Tom headed closer to home to attend Purdue, and there he had a group called The Gaping Huggers, comprised of former fellow Trifari JC Marshall on drums, and University of Illino...

12 More by Collective Soul

  Sometimes an artist just needs 12  more  songs to summarize their career. Case in point... Collective Soul released a pretty decent best of compilation - 7even Year Itch: 1994-2001 - nearly a quarter of a century ago, but there's been nothing to summarize their output since then. Considering that output consists of seven albums and a couple of EPs, we've got our work cut out for us. (Since the band stopped having "hits" in 2009, most of these are just my personal preference, though I did give the singles first consideration). 1. "Better Now" (from Youth , 2004) "Better Now" is buzzy burst of optimism that has stood the test of time/\. 2. "There's a Way" (from Youth , 2004) Great riff, great chorus, great bridge, great song. 3. "What Can I Give You" (from Afterwords , 2007) Fascinating structure on this one: It starts out somewhat pedestrian, then goes into a soaring chorus followed by an even more melodic post-chorus, the...

86. The Magic Numbers - The Magic Numbers (2005)

Very few things in life can sustain the same level of excitement from beginning to end, and The Magic Numbers' debut album is no exception. Like a party that's loud, full and hoppin' from the get-go and then eventually dwindles down to a quiet few, the CD makes its statement early and then fades away. Mornings Eleven is a helluva opener. It consists of two separate sections; the first makes you want to shake your ass, the second makes you want to swoon. Going from country-rock boogie to '50s doo-wop harmony, the two movements spend the song alternating back and forth, and it's effective enough to make the 5-and-a-half minute running time seem too short. As the album continues that becomes a recurring theme. The songs are long, but rarely overstay their welcome. That's a tribute to Romeo Stodart's compositions, but another factor may be that the group consists of two sets of brothers and sisters (the Allman Brothers would be proud). I believe that familial s...