Skip to main content

38. Keane - Hopes and Fears (2004)

I have to admit something: When it comes to Coldplay and bands that aspire to the same aesthetic, I find my reaction becoming increasingly, well, cold. Groups like this are very easy to admire and even easier to like, afterall, they find their inspiration in such crowd-pleasers as The Cure, U2, and Radiohead. But I just can't help but feel that there's something missing.

Sure, it's great sit-around-feeling-depressed-but-fine-with-it music. It's music for big theatrical sighs and deep musings of deeper feelings, and grand proclamations. It may sound like I'm poking fun (and I am a little bit), but there are times when you're feeling exactly like that, and this music is the perfect soundtrack. But what about the times you aren't feeling like that?

Anyway, we're being subjected to a lot of new bands lately, first billed as "the next Radiohead," now hailed as "the next Coldplay." This includes Travis, Ours, Snow Patrol, Starsailor, etc. The problem here is twofold. The major one is that I hate to think that the production of music has become so cynical that bands cop to a certain sound just because it's commercially viable at the moment (though this happens all the time and has throughout pop's history). The other problem is that some people, like me, want their bands to have influences that reach back before the mid-nineties.

Keane is bound to, okay they already have, run into the usual comparisons. The sticker quote on the package calls them "anthemic and epic." The band's line-up doesn't help; they've got drums, piano, and vocals (there are some synths, programming, and bass in there too). Despite the minimalism, there's no lack of depth in the music...the piano is a full instrument, as is singer Tom Chaplain's voice. By turns he recalls Travis' Fran Healy, Pet Shop Boys' Neil Tennent, and Ewan McGregor's singing voice in Moulin Rouge (this is actually a compliment). In other words, he sounds Romantic.

And the songs themselves fulfill every expectation of the genre...every song is pounding, expansive, and deeply felt. The choruses are built to be sung by a stadium full of lighter-waving devotees. The first three songs on the album set that tone (culminating in the very pretty Bend and Break) and the band hardly deviates for the rest of it. On every song, from the quiet We Might As Well Be Strangers to the dramatic Bedshaped, Chaplin alternates a gentle wobbly lower register with a soaring falsetto.

I'd like to be bothered by the lack of cleverness and interesting imagery in the lyrics, but there's a directness and simplicity that serves the music well (and if you're unsure what I mean, just look at the title of the album, or think of Elton John's albums from The One through The Big Picture).

So all in all, this is really a complete nightmare for anyone who likes records that "take a few spins to get into" or who is just simply scared away by the conventional and mass-appealing. For everyone else it's wonderful ear candy, and thus the band has a very good chance to hit big.

It's possible that in a couple of years new bands coming out will be called "the next Keane." I kind of hope that's not the case, not because I don't wish them success, it just wouldn't be good for music history. And what I worry about personally is that after the initial infatuation has passed, will this just sit on my shelf with Coldplay and Travis and even Radiohead CDs, fondly thought of, but rarely played? Maybe I should just be happily depressed and hyper-contemplative more often.

Rating: B
Fave Song: Bend and Break


Richard said…
So here's the new procedure:
1. Paul writes review of new CD.
2. Richard immediately reads review.
3. Richard grabs car keys.
4. Richard drives two blocks to Best Buy and purchases CD.
5. Richard is listening to CD within an hour of the review being written.

You'll be the death of my bank account, Paul Allen! (This CD is only $6.99 this week at Best Buy, though.)

Popular posts from this blog

12 by Weezer

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features... I decided to take an unconventional route for this 12 by, and pretend Weezer have already released a "greatest hits." Here's what I think that would look like:  1) "Buddy Holly", 2) "Undone - the Sweater Song", 3) "My Name Is Jonas", 4) "The Good Life", 5) "El Scorcho", 6) "Hash Pipe", 7) "Island in the Sun", 8) "Dope Nose", 9) "Keep Fishin'", 10) "Beverly Hills", 11) "We Are All On Drugs", 12) "Pork and Beans".  Here's a different take: 1. " Say It Ain't So"  (from Weezer , 1994)  A little bit heavy, a little bit catchy, quiet-loud dynamics. So basically, it's Pixies lite. The song is interesting lyrically because it's basically nonsense until the "Dear daddy..." bridge, which lets out a t

12 by Jenny Lewis

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features... Completely separate from Rilo Kiley, Jenny Lewis has put together an impressive oeuvre that is very difficult to winnow down to just 12 songs (if you include her work with Rilo Kiley, fuhgeddaboudit). But I've made what I feel is a valiant attempt. Because I admire Jenny's lyrics so much, I'm going to limit my commentary to a favorite couplet from the song. (If you have Amazon Music Unlimited, you can listen along here .) 1. "Rise Up With Fists!!!" (from Rabbit Fur Coat , 2005) "But you can wake up younger, under the knife / And you can wake up sounder, if you get analyzed." 2. "Melt Your Heart" (from  Rabbit Fur Coat , 2005) "It's like a valentine from your mother / It's bound to melt your heart." 3. "Born Secular" (from Rabbit Fur Coat , 2005) "God works in mysterious ways / And God give

12 by Vicious Vicious

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features... If you need a reference point for the work of Vicious Vicious mastermind Erik Appelwick, the most appropriate would be Beck. Like Mr. Hansen, Minnesota-based Appelwick has the ability to navigate between making you laugh and making you cry and making you want to dance, and embraces genres from country to R& B to folk to pop.  I've included songs from the two albums Appelwick did under the name Tropical Depression, because honestly there's not a lot of difference between that and Vicious Vicious.  I very literally  wrote the book  on Appelwick, so please feel confident you are hearing from an authority here.  If you have Amazon Music Unlimited, you can listen to an alternate version of list here  (sadly, not all of VV's music is on the service). 1. "Shake That Ass on the Dance Floor" (from Blood + Clover , 2003) A loungy, laconic come-on