Skip to main content

154. Motion City Soundtrack: Even If It Kills Me (2007)

Let's say you have a band. The main lyrical appeal of the band is your acerbic stories of bad choices, your sad/funny tales of girls and substances you like more than you should.

Now let's say you get sober and fall in love for real. Sure, you're happy, but what's a songwriter to do?

Even If It Kills Me kicks off with Last Night I Fell In Love Without You, and it seems that all is still right (wrong) with Justin Pierre's world: "I waved goodbye to that heart of mine beating solo on your lawn." It's the sort of I-don't-care-but-I-do broken heart song that the band has made its trade.

But the second track quickly reveals a new dimension, that things are not the same as they ever were. This Is For Real is not only about cleaning up your act, but also about the person who inspired you to do it. "You smoked the demons/ Gave me back my feelings / Now I am good to go." It's the most unabashed thing they've ever done, at least until you get to Antiona. Were I a betting man, I'd say the songs are probably about the same person. Pierre describes the titular woman in amusing detail, telling us of her love for Captain Crunch, snowmobiles, stray cats and Ben Folds Five. As the song ends, we learn that Antonia is pregnant, and Pierre confesses that he hopes the baby "will be just like her mother." Were this a James Blunt song, the masses would collectively reach for vomit bags, but listeners who know MCS well should be touched.

Antonia's love of Ben Folds must have rubbed off. The album's most musically surprising song, The Conversation, is a voice and piano ballad that could have appeared on Rockin' The Suburbs or Songs For Silverman. Even though it's essentially a sad goodbye letter, he song still comes off as sweet, mostly because of the final line: "Don't ever change / the way you are / I've never loved anyone more."

If you are getting worried that the album overdoses on sugary sentiment, don't fret. There are plenty of other pleasures to be had. It Had To Be You is the requisite I-never-realized-you-were-the-one-for-me song, but the nonsensical lyrical details make it something original. Example: "Let's fight crime with mangoes and limes and join the PGA / Let's win big with every spin / But hurry / I can't wait." Point Of Extinction and Broken Heart are perseverance songs, and you can feel the bluster especially on the latter when Pierre vows to "destroy this useless heart" and "fuck it up so it'll never beat again." Finally, Last Night is an oddly compelling analogue to The Strokes song of the same name, with its boppy rhythm.

The album's songs do move briefly away from matters of the heart. Calling All Cops is a general condemnation of some of the more corrupt influences in our society ("Sever all ties to satellites that broadcast worthless words / You're extrapolating nonsense / And it really hurts"), but it's hard not to see it in the light of the recent I-35W bridge collapse, especially when it speaks of "saving victims from the wreckage" and ends with the words "and everything just falls apart." Hello Helicopter is a kin to that song, but instead the target appears to be the continuing war in Iraq. "In several years no one will care / They'll all be rich and dead / So let some one else devise a cure for it."

Musically, the album is poppy and hook-filled, exactly like the first two MCS albums. It leads one to believe that, as good as the end results sound, that all-star producers Ric Ocasek (formerly of The Cars) and Adam Schlesinger (of Fountains Of Wayne) were almost superfluous. That's a compliment all around. A good producer, when he or she is working with a truly talented band, should have an invisible hand.

So, did maturity kill the band we loved? Even Justin Pierre seems worried about that. On Where I Belong, he sings, "This is where I run out of words to describe how I'm so damn hurt" and "I can't stand the thought of losing everything I ever thought that I knew." But on the album closer and title track, he knows he (and his band) will survive. "For the first time in a long time," he tells us, "I can say that I want to get better and overcome each moment in my own way."

If Even If It Kills Me is any indication, he's on the right track.

Grade: A+
Fave Song: Broken Heart

Comments

Samantha Ardoin said…
I'm just a kid writing this (14 years), but I'd like to thank you for the information. I loved MCS ever since I first heard them, and am continually amazed by the songs they're coming out with. Calling All Cops was my personal favorite on the album for a while because it simply seemed so true (referring to lyrics). I have a slightly differing opinion on Hello Helicopter, though it may not be what the band originally specified as the meaning. I think it's more than just the Iraq war. Originally, and maybe i am just too hyper-sensitive to this sort of thing, I figured the line "we all waste and consume, destroy and ruin, everything we touch" was hitting on about global warming and how people are careless and ignorant; not even simply global warming but any kind of carelessness in global affairs (such as the war which you mentioned). "I'm not saying anything you haven't heard before" emphasizes the effect that we have been told this so many times. "Swimming through the garbage dump that fills the air" sounds like air pollution, (or even noise pollution if you'd like to take it that far since so many people can easily publish, post, or produce things whether in paper, video, words, or music). The whole "green" thought was just an idea I thought might have not occurred to you before. That's all I wanted to mention.
7:48 PM
Paul V. Allen said…
Wow, that's a great reading of the song. I hadn't even considered it that way, but it works! Thanks for pointing that out, it'll make me hear the song completely differently next time...
8:01 PM
Post a Comment

Popular posts from this blog

12 by Weezer

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features... I decided to take an unconventional route for this 12 by, and pretend Weezer have already released a "greatest hits." Here's what I think that would look like:  1) "Buddy Holly", 2) "Undone - the Sweater Song", 3) "My Name Is Jonas", 4) "The Good Life", 5) "El Scorcho", 6) "Hash Pipe", 7) "Island in the Sun", 8) "Dope Nose", 9) "Keep Fishin'", 10) "Beverly Hills", 11) "We Are All On Drugs", 12) "Pork and Beans".  Here's a different take: 1. " Say It Ain't So"  (from Weezer , 1994)  A little bit heavy, a little bit catchy, quiet-loud dynamics. So basically, it's Pixies lite. The song is interesting lyrically because it's basically nonsense until the "Dear daddy..." bridge, which lets out a t
2 comments
Read more

12 by John Mayer

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features... With all of his failed celebrity romances and foot-in-his-mouth interviews, John Mayer the person isn't always easy to love. But John Mayer the musician is a different story . His virtuosity never supersedes his pop songcraft, and his lyrics are searching, wise, vulnerable, and relatable. In my mind, he's the closest thing we'll get to a Gen X James Taylor. This list covers the first 8 years of his career. K eep an eye out for 12 More by John Mayer, coming soon! If you have Amazon Music Unlimited, you can listen along here .  1. "No Such Thing" (from Room for Squares , 2001) I'm on record with the opinion that Weezer are the ultimate Gen X musicians, but John Mayer is a very close second. This song captures that feeling of disillusionment and freedom that comes with going out into the "real world" and discovering it's not a
Post a Comment
Read more

12 by Vicious Vicious

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features... If you need a reference point for the work of Vicious Vicious mastermind Erik Appelwick, the most appropriate would be Beck. Like Mr. Hansen, Minnesota-based Appelwick has the ability to navigate between making you laugh and making you cry and making you want to dance, and embraces genres from country to R& B to folk to pop.  I've included songs from the two albums Appelwick did under the name Tropical Depression, because honestly there's not a lot of difference between that and Vicious Vicious.  I very literally  wrote the book  on Appelwick, so please feel confident you are hearing from an authority here.  If you have Amazon Music Unlimited, you can listen to an alternate version of list here  (sadly, not all of VV's music is on the service). 1. "Shake That Ass on the Dance Floor" (from Blood + Clover , 2003) A loungy, laconic come-on
Post a Comment
Read more