Skip to main content

149. Wilco: Summerteeth (1999)

Writer's Note: This was the second album review I ever wrote. It appeared in the Augustana Observer on March 26, 1999.

Wilco is one of those rare prolific bands that never seems to run out of quality material. From 1995 to 1999 the band released the equivalent of a record per year and always managed to show up on critics' end-of-the-year lists.

Wilco rose from the ashes of country rock darlings Uncle Tupelo. The group's two songwriters started rival bands, Jay Farrar formed Son Volt, Jeff Tweedy (and drummer Ken Croomer) formed Wilco. Both bands continued the roots rock sound of their former group, with a bit of twang and a debt owed to Neil Young.

Summerteeth, Wilco's fourth album, found the band sneaking away from the genre that defined them, showing barely a hint of twang. Instead of Hank Williams, it seems Tweedy was listening to the Beach Boys. The band still made singable songs with lyrics that are sweet ("When I forget how to talk I sing") and scary ("I dreamed about killing you again last night and it felt alright to me") but this is the album where they discovered the wonder of the studio. Much of country rock's appeal is based in the visceral experience of the live performance, but Wilco layers sounds like multi-tracking was just invented yesterday: guitars sigh, keyboards tumble, bells sway, birds chirp and horns jump.

The catchy choruses and high harmonies belie the sometimes hopeless lyrics. ELT boasts a rocking riff with the repeated warning: "Every little thing is gonna tear you apart". The plaintive How To Fight Loneliness begins with a pretty acoustic guitar and Tweedy's raspy voice telling us to "Smile all the time / Shine your teeth till meaningless / Sharpen them with lies."

Even so, observations of life's problems are tempered with messages of perseverance, and it's no more apparent than when Tweedy proclaims, "Nothing's ever gonna stand in my way again!"

Other highlights include the bonus track Candyfloss, which bops along like a lost '60s bubblegum hit, and I'm Always In Love, a peppy rumination on the contradictions of romance. If you think about it, Wilco themselves exemplify contradictions, quality and quantity, rootsy and poppy, depressed and hopeful.

Summerteeth stands in my mind as Wilco's best record, in a field with strong competition. It's an album for those who relish the art of song; for those who love to listen again and again and discover new surprises every time.

Grade: A
Fave Song: ELT

Comments

Uncle E said…
When you say it's Wilco's fourth album, I assume you're referring to the Wilco/Billy Bragg colab Mermaid Ave as their third?
Uncle E said…
...by the way, excellent review! My favorite Wilco album and the comparison to Brian Wilson is spot on!

Popular posts from this blog

12 by Weezer

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features... I decided to take an unconventional route for this 12 by, and pretend Weezer have already released a "greatest hits." Here's what I think that would look like:  1) "Buddy Holly", 2) "Undone - the Sweater Song", 3) "My Name Is Jonas", 4) "The Good Life", 5) "El Scorcho", 6) "Hash Pipe", 7) "Island in the Sun", 8) "Dope Nose", 9) "Keep Fishin'", 10) "Beverly Hills", 11) "We Are All On Drugs", 12) "Pork and Beans".  Here's a different take: 1. " Say It Ain't So"  (from Weezer , 1994)  A little bit heavy, a little bit catchy, quiet-loud dynamics. So basically, it's Pixies lite. The song is interesting lyrically because it's basically nonsense until the "Dear daddy..." bridge, which lets out a t

12 by Vicious Vicious

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features... If you need a reference point for the work of Vicious Vicious mastermind Erik Appelwick, the most appropriate would be Beck. Like Mr. Hansen, Minnesota-based Appelwick has the ability to navigate between making you laugh and making you cry and making you want to dance, and embraces genres from country to R& B to folk to pop.  I've included songs from the two albums Appelwick did under the name Tropical Depression, because honestly there's not a lot of difference between that and Vicious Vicious.  I very literally  wrote the book  on Appelwick, so please feel confident you are hearing from an authority here.  If you have Amazon Music Unlimited, you can listen to an alternate version of list here  (sadly, not all of VV's music is on the service). 1. "Shake That Ass on the Dance Floor" (from Blood + Clover , 2003) A loungy, laconic come-on

12 by Jenny Lewis

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features... Completely separate from Rilo Kiley, Jenny Lewis has put together an impressive oeuvre that is very difficult to winnow down to just 12 songs (if you include her work with Rilo Kiley, fuhgeddaboudit). But I've made what I feel is a valiant attempt. Because I admire Jenny's lyrics so much, I'm going to limit my commentary to a favorite couplet from the song. (If you have Amazon Music Unlimited, you can listen along here .) 1. "Rise Up With Fists!!!" (from Rabbit Fur Coat , 2005) "But you can wake up younger, under the knife / And you can wake up sounder, if you get analyzed." 2. "Melt Your Heart" (from  Rabbit Fur Coat , 2005) "It's like a valentine from your mother / It's bound to melt your heart." 3. "Born Secular" (from Rabbit Fur Coat , 2005) "God works in mysterious ways / And God give