Skip to main content

149. Wilco: Summerteeth (1999)

Writer's Note: This was the second album review I ever wrote. It appeared in the Augustana Observer on March 26, 1999.

Wilco is one of those rare prolific bands that never seems to run out of quality material. From 1995 to 1999 the band released the equivalent of a record per year and always managed to show up on critics' end-of-the-year lists.

Wilco rose from the ashes of country rock darlings Uncle Tupelo. The group's two songwriters started rival bands, Jay Farrar formed Son Volt, Jeff Tweedy (and drummer Ken Croomer) formed Wilco. Both bands continued the roots rock sound of their former group, with a bit of twang and a debt owed to Neil Young.

Summerteeth, Wilco's fourth album, found the band sneaking away from the genre that defined them, showing barely a hint of twang. Instead of Hank Williams, it seems Tweedy was listening to the Beach Boys. The band still made singable songs with lyrics that are sweet ("When I forget how to talk I sing") and scary ("I dreamed about killing you again last night and it felt alright to me") but this is the album where they discovered the wonder of the studio. Much of country rock's appeal is based in the visceral experience of the live performance, but Wilco layers sounds like multi-tracking was just invented yesterday: guitars sigh, keyboards tumble, bells sway, birds chirp and horns jump.

The catchy choruses and high harmonies belie the sometimes hopeless lyrics. ELT boasts a rocking riff with the repeated warning: "Every little thing is gonna tear you apart". The plaintive How To Fight Loneliness begins with a pretty acoustic guitar and Tweedy's raspy voice telling us to "Smile all the time / Shine your teeth till meaningless / Sharpen them with lies."

Even so, observations of life's problems are tempered with messages of perseverance, and it's no more apparent than when Tweedy proclaims, "Nothing's ever gonna stand in my way again!"

Other highlights include the bonus track Candyfloss, which bops along like a lost '60s bubblegum hit, and I'm Always In Love, a peppy rumination on the contradictions of romance. If you think about it, Wilco themselves exemplify contradictions, quality and quantity, rootsy and poppy, depressed and hopeful.

Summerteeth stands in my mind as Wilco's best record, in a field with strong competition. It's an album for those who relish the art of song; for those who love to listen again and again and discover new surprises every time.

Grade: A
Fave Song: ELT

Comments

Uncle E said…
When you say it's Wilco's fourth album, I assume you're referring to the Wilco/Billy Bragg colab Mermaid Ave as their third?
Uncle E said…
...by the way, excellent review! My favorite Wilco album and the comparison to Brian Wilson is spot on!

Popular posts from this blog

The Unlikely Musical Life of Tom Kelly

You may not know the name Tom Kelly, but I guarantee that you've sung along to songs he wrote.  Born in West Lafayette, Indiana in 1952, Tom moved to Effingham, Illinois when he was 11 years old, just in time to witness the Beatles' debut on Ed Sullivan. Bit by the rock music bug, he joined a local band called the Trifaris, singing and playing bass. His family moved back to Indiana in '66. When Tom finished high school, he decided to go to college in Illinois, but his choice was made based on extracurricular factors, not academic ones. "I started at Eastern [Illinois University] because there was a band,” he told the Effingham Daily News in 2011, “Then I transferred to Southern [Illinois University] because there was another band.”  Champaign, Illinois  Continuing his college hopping, Tom headed closer to home to attend Purdue, and there he had a group called The Gaping Huggers, comprised of former fellow Trifari JC Marshall on drums, and University of Illino...

12 More by Collective Soul

  Sometimes an artist just needs 12  more  songs to summarize their career. Case in point... Collective Soul released a pretty decent best of compilation - 7even Year Itch: 1994-2001 - nearly a quarter of a century ago, but there's been nothing to summarize their output since then. Considering that output consists of seven albums and a couple of EPs, we've got our work cut out for us. (Since the band stopped having "hits" in 2009, most of these are just my personal preference, though I did give the singles first consideration). 1. "Better Now" (from Youth , 2004) "Better Now" is buzzy burst of optimism that has stood the test of time/\. 2. "There's a Way" (from Youth , 2004) Great riff, great chorus, great bridge, great song. 3. "What Can I Give You" (from Afterwords , 2007) Fascinating structure on this one: It starts out somewhat pedestrian, then goes into a soaring chorus followed by an even more melodic post-chorus, the...

86. The Magic Numbers - The Magic Numbers (2005)

Very few things in life can sustain the same level of excitement from beginning to end, and The Magic Numbers' debut album is no exception. Like a party that's loud, full and hoppin' from the get-go and then eventually dwindles down to a quiet few, the CD makes its statement early and then fades away. Mornings Eleven is a helluva opener. It consists of two separate sections; the first makes you want to shake your ass, the second makes you want to swoon. Going from country-rock boogie to '50s doo-wop harmony, the two movements spend the song alternating back and forth, and it's effective enough to make the 5-and-a-half minute running time seem too short. As the album continues that becomes a recurring theme. The songs are long, but rarely overstay their welcome. That's a tribute to Romeo Stodart's compositions, but another factor may be that the group consists of two sets of brothers and sisters (the Allman Brothers would be proud). I believe that familial s...