Skip to main content

12 by Pete Droge

Here's the drill: Twelve songs to summarize an artist's career, in chronological order. This one features...



Pete Droge was an unlikely discovery in the early 1990s Seattle music scene: a folk singer with a twang. He released three albums on major labels between 1994 and 1998, got a couple of songs on film soundtracks, made a cameo in Almost Famous, joined supergroup The Thorns, and released two albums and two EPs independently. 

Here's a primer, though I'd recommend seeing out 1996's Find a Door in its entirety. It's one of my favorite albums of all time.

(If you've got Amazon Prime, listen along here.)


1. "If You Don't Love Me (I'll Kill Myself)" (Necktie Second, 1994)
Works as both a parody of a certain type of song as well as a good example of that same type of song, namely the romantic lament.

2. "Beautiful Girl" (Songs from the Miramax Motion Picture Beautiful Girls, 1996)
This played over the credits of a movie that's definitely worth watching if you haven't seen it, if only for the amazing cast.

3. "That Ain't Right" (from Find a Door, 1996)
Find a Door is, for me, where Droge really fulfilled his "second-coming of Tom Petty" hype. The songs are tough and wise and wry, and feel like you've known them forever.

4. "Find a Door" (from Find a Door, 1996)
A brutal kiss-off in the form of a ballad: "You better find yourself a door / we sure don't need you anymore."

5. "Blindly" (from Spacey & Shakin', 1998)
Droge's third album was the requisite experimental effort where the artist explores the limits of his reach, but it also had a few "traditional" tunes like this searching ballad.

6. "Long, Sweet Summer Nights" (from The Thorns, 2003)
Droge teamed up with Shawn Mullins and Matthew Sweet in this singer-songwriter supergroup. The results were joyful, as on this celebration of romance-gone-right.

7. "Small Time Blues" (from Skywatching, 2003)
If you look closley, you can see Droge and his wife, Elaine Summers, performing an acoustic version of this in Almost Famous. Cameron Crowe included them as a tribute to Gram Parsons and Emmylou Harris.

8. "Train Love to Stay" (from Skywatching, 2003)
9. "Above It All" (from Skywatching, 2003)
Imagine an alternate reality where Skywatching were released in 1998 instead of Spacey & Shakin' and the chances become high that Droge would have scored some radio hits in that last gasp of "alternative" radio. These two would have been prime candidates.

10. "Give It All Away" (from Under the Waves, 2006)
An unconventional love song in that it celebrates its subject's daring and genrousity, rather than their beauty or sex appeal.

11. "Sad Clown" (from Volume 1, 2009)
In the late '00s and mid '10s, Droge teamed with his wife - a singer-songwriter in her own right and a constant presence on his "solo" songs - for two EPs as The Droge and Summers Blend. This handclappy trifle features Summers on lead vocals.

12. "It's Hard For You" (from Volume 2, 2014)
A lovely showcase for Droge's gift for melody.

Comments

Popular posts from this blog

Honoring the Legacy of REO Speedwagon

I suppose I should have known the saga of REO Speedwagon couldn't end with a whimper. Before I get into the latest developments, here's a brief review of what's happened so far: In September 2024 came the announcement that the band was effectively breaking up at the end of the year. Apparently, frontman Kevin Cronin ruled that bassist Bruce Hall was no longer fit to continue touring following back surgery in summer 2024. Hall felt otherwise. Here we learned that REO had essentially become a three-way partnership between Cronin, Hall, and Doughty (who retired from touring in January 2023) following the departure of original members Alan Gratzer and Gary Richrath in 1988. Doughty sided with Hall, so Cronin was outvoted 2-1. No Bruce Hall, no REO Speedwagon. In December 2024 Cronin revealed he would continue performing REO Speedwagon songs with the two musicians who replaced Doughty and Hall, as well as Brian Hitt and Dave Amato (who replaced Gratzer and Richrath), with the on...

Billy Joel: 1980 - 1977

When I decided to write about every single Billy Joel studio album I knew had a bit of a leg up in that I'd written reviews of a handful of his records already. What I didn't realize until just now was that those reviews were of albums that had been released consecutively between 1977 and 1980. As I reread those reviews - the most recent of which is 14 years old! - I found that I still stand by them. My writing style has mellowed a bit, and I no longer give grades to albums, but otherwise my opinions then are my opinions now. So here you go... Billy Joel: Glass Houses (1980) Billy Joel: 52nd Street (1978) Billy Joel: The Stranger   (1977)

Billy Joel: Turnstiles (1976)

Turnstiles is, along with An Innocent Man and The Stranger , in my top three Billy Joel albums. It has pretty much everything you might want from the Piano Man. It has two beloved classics: "Say Goodbye to Hollywood" and "New York State of Mind." And while I like that they respectively open and close side one, I think these two are the key moments to the album's story, and thus wish they'd been sequenced a bit differently (more on that in a bit). It has virtuosity. The opening to "Angry Young Man," called "Prelude," with its lightning fast hammered piano, is the most obvious display of Billy's growing talents. But it wasn't just him. Turnstiles is the first recorded appearance of the Billy Joel band - Richie Cannata, Liberty DeVitto, Russell Javors, Howie Emerson, and Doug Stegmeyer - and their performances show they were able to handle pretty much anything with aplomb. It has introspection and wisdom. Billy was only 27 years old ...