Skip to main content

2019 In Review

It's that certain time of year when everyone starts naming "the best" things from the past 12 months.

I used quotations because of course best is a subjective concept, and even where there's critical consensus it's often a case of monkey-see-monkey-do. So end-of-year (or end-of-decade) lists are not any definitive mark of quality. 

Then why make one? Well, mostly I like having an archive to look back on. But more broadly, end-of-year lists are a great way to discover something new. Especially now that music is so easy to access - via YouTube or a streaming service - you can give an album a full listen without paying for it directly. You no longer have to buy blindly, or make a judgement call based on a series of 30-second clips or after standing at a listening booth in a record store for an uncomfortable amount of time (like I used to do). 

So, here are the albums I enjoyed the most in 2019:

Get Up Kids - Problems
Carly Rae Jepsen - Dedicated
Jimmy Eat World - Surviving
Jenny Lewis - On the Line
New Pornographers - In the Morse Code of Brake Lights
Pronoun - I'll Show You Stronger
Ra Ra Riot - Superbloom
Radar State - Strays
The Rubinoos - From Home
Weezer - Weezer (the teal album)
Weezer - Weezer (the black album)

*

And here is my annual mix of favorite songs of the year. You might notice I went with a "loved and lost" theme (the other choice was "the whole world is going to hell," so I think I made the right call).

The album cover is an homage to the great K-Tel compilations of the 1980s.

1. Ra Ra Riot - "Bitter Conversation"
2. Carly Rae Jepsen - "Happy Not Knowing"
3. Jonas Brothers - "I Believe"
4. Radar State - "Making Me Feel"
5. Weezer - "Living in L.A."
6. New Pornographers - "Falling Down the Stairs of Your Smile"
7. Taylor Swift - "I Forgot That You Existed"
8. Jimmy Eat World - "All the Way (Stay)"
9. Pronoun - "Stay"
10. Kaiser Chiefs - "Lucky Shirt"
11. Vampire Weekend - "This Life"
12. Jenny Lewis - "On the Line"


Comments

Popular posts from this blog

The Unlikely Musical Life of Tom Kelly

You may not know the name Tom Kelly, but I guarantee that you've sung along to songs he wrote.  Born in West Lafayette, Indiana in 1952, Tom moved to Effingham, Illinois when he was 11 years old, just in time to witness the Beatles' debut on Ed Sullivan. Bit by the rock music bug, he joined a local band called the Trifaris, singing and playing bass. His family moved back to Indiana in '66. When Tom finished high school, he decided to go to college in Illinois, but his choice was made based on extracurricular factors, not academic ones. "I started at Eastern [Illinois University] because there was a band,” he told the Effingham Daily News in 2011, “Then I transferred to Southern [Illinois University] because there was another band.”  Champaign, Illinois  Continuing his college hopping, Tom headed closer to home to attend Purdue, and there he had a group called The Gaping Huggers, comprised of former fellow Trifari JC Marshall on drums, and University of Illino...

12 More by Collective Soul

  Sometimes an artist just needs 12  more  songs to summarize their career. Case in point... Collective Soul released a pretty decent best of compilation - 7even Year Itch: 1994-2001 - nearly a quarter of a century ago, but there's been nothing to summarize their output since then. Considering that output consists of seven albums and a couple of EPs, we've got our work cut out for us. (Since the band stopped having "hits" in 2009, most of these are just my personal preference, though I did give the singles first consideration). 1. "Better Now" (from Youth , 2004) "Better Now" is buzzy burst of optimism that has stood the test of time/\. 2. "There's a Way" (from Youth , 2004) Great riff, great chorus, great bridge, great song. 3. "What Can I Give You" (from Afterwords , 2007) Fascinating structure on this one: It starts out somewhat pedestrian, then goes into a soaring chorus followed by an even more melodic post-chorus, the...

86. The Magic Numbers - The Magic Numbers (2005)

Very few things in life can sustain the same level of excitement from beginning to end, and The Magic Numbers' debut album is no exception. Like a party that's loud, full and hoppin' from the get-go and then eventually dwindles down to a quiet few, the CD makes its statement early and then fades away. Mornings Eleven is a helluva opener. It consists of two separate sections; the first makes you want to shake your ass, the second makes you want to swoon. Going from country-rock boogie to '50s doo-wop harmony, the two movements spend the song alternating back and forth, and it's effective enough to make the 5-and-a-half minute running time seem too short. As the album continues that becomes a recurring theme. The songs are long, but rarely overstay their welcome. That's a tribute to Romeo Stodart's compositions, but another factor may be that the group consists of two sets of brothers and sisters (the Allman Brothers would be proud). I believe that familial s...