Skip to main content

2009: Thirteen Albums I'm Glad I Bought

Change is in the air. It's actually been there awhile, but I've been trying to ignore it.

Please allow me a slightly awkward extended metaphor. Let's say instead of a music blogger/obsessive I was a professional sports star. Instead of ERA, rebounds, or touchdowns, my statistical categories are CDs bought, CDs reviewed, and number of times posted on the blog.

In my early career I was a phenom, putting up gaudy numbers. Witness:

2003 - 2006
I posted on the blog 155 times, at an average of 4.1 posts per month.
I wrote 135 reviews, 115 of which were of new (at the time) CDs. That's 85%.
87% of my posts were album reviews.
I bought between 80 and 100 new release CDs PER YEAR.

Big numbers, right? That's a stat line anyone can be proud of. But let's look at what happened in the last three years. It's a slightly smaller sample, but only by 2 months (In 2003 I only wrote in November and December).

2007 - 2009
I posted on the blog 167 times, at an average of 4.6 posts per month.
I wrote 112 reviews, 40 of which were of new (at the time) CDs. That's 36%.
70% of my posts were album reviews.
I bought between 30 - 50 new release CDs per year.

Inevitably sports stars' skills erode. As their physical gifts fade they rely more on their experience and knowledge of the game. They become less about overpowering you and more about outsmarting you. This can lead to the illusion that they're still performing at a high level (often they even fool themselves). As you can see from the numbers that's what happened to me. I kept up my output, even increased it, but that hid the fact that my grasp of new music had loosened considerably.

This was a subtle shift, but in retrospect, not a surprising one. In 2007 I moved in with my future wife. In 2008 we got married and bought a house. In 2009 we discovered that Baby Boy Allen is due on his way (February 2010). In other words, my life changed. A lot. In yet other words, my music obsession suddenly had very strong competitor. My love for music didn't diminish, but the time I was willing and able to devote to seeking out new music did.

I tried to ignore this, to write it off as a lull. I didn't even know fully what was happening. In 2007 I wrote about how it was a down year for music and about feeling uninspired. In 2008 I rededicated myself to the blog. I wrote more than ever, but that key stat above, that 64% of reviews being of older albums, really came into play. And along with the notion that the way I consumed music had changed dramatically, I even had the revelation that songs have become more important to me than albums.

Going into this year, I half expected a renaissance, a return to my old ways, to get my finger back on the pulse of the pop world. It didn't happen. I continued to move the blog toward an oldies format. Don't get me wrong. I'm proud of all of my work this year, and especially of my non-review pieces (like the interview with Hot Action Cop singer/songwriter Rob Werthner, a statistical analysis of radio station Cities 97, and the very tongue-in-cheek So You Wanna Be a Rock 'N Roll Critic series), but it's very clear to me know that things aren't like they used to be, and they won't be in the forseeable future. And maybe that's okay. I have no plans to walk away from the game, but I may need to switch to the senior's tour.

So as I sat down to make my annual top ten list I realized three things. 1) I actually had a top thirteen, 2) I had no interest in ranking them, and 3) Since I've started caring more about individual songs, five standout songs on an album seems to be my gold standard. So rather than waxing poetic about the albums themselves, I'm listing my favorite songs.

Without any further ado (there's been too much already), here are twelve albums I'm glad I bought this year (they're listed alphabetically to dispel any notions of hierarchy).


Flight of the Conchords: I Told You I Was Freaky

Check out:
Hurt Feelings, Too Many Dicks (On the Dancefloor), Sugalumps, We're Both In Love With a Sexy Lady, I Told You I Was Freaky, Carol Brown








Green Day: 21st Century Breakdown

Read the review.

Check out:
Last Night On Earth, Peacemaker, Murder City, Horseshoes and Handgrenades, The Static Age, 21 Guns, American Eulogy







Harlem Shakes: Technicolor Health

Check out:
Nothing But Change Part II, Strictly Game, Unhurried Hearts (Prosaic Pastoral), Natural Man, Technicolor Health








The Hopefuls: Now Playing at the One-Seat Theatre

Read the review.

Check out:
Edge of Medicine, Idaho, Red Stain, Miss You, One-Seat Theatre, Virgin Wood, Stacey, Hold Your Own






Kings of Convenience: Declaration of Dependence

Check out:
24-25, Mrs.Cold, Me In You, Boat Behind, Rule My World, Riot on an Empty Street









Owl City: Ocean Eyes

Read the review.

Check out:
Cave In, Fireflies, The Saltwater Room, The Tip of the Iceberg, Tidal Wave, Umbrella Beach







Phoenix: Wolfgang Amadeus Phoenix

Check out:
Lisztomania, Lasso, 1901, Girlfriend, Fences









P.O.S.: Never Better

Check out: Let It Rattle, Savion Glover, Graves (We Wrote the Book), Goodbye, Low Light Low Life, Optimist (We Are Not For Them)









Tinted Windows: Tinted Windows

Read the review.

Check out:
Kind of a Girl, Nothing To Me, We Got Something, Cha Cha, New Cassette







Weezer: Raditude

Read the review.

Check out:
If You're Wondering If I Want You To (I Want You To), Can't Stop Partying, Girl Got Hot, I'm Your Daddy, Put Me Back Together, Don't Wanna Let You Go






Wilco: Wilco (the Album)

Read the review.

Check out:
Wilco (the Song), You Never Know, You and I, One Wing, Sonny Feeling







Robbie Williams: Reality Killed the Video Star

Check out:
Morning Sun, You Know Me, Bodies, The Last Days of Disco, Do You Mind, Difficult For Weirdos, Won't Do That, Arizona

Comments

Anonymous said…
I thought thiswas your signing-off message until I came to "I have no plans to walk away from the game, but I may need to switch to the senior's tour."

Phew.

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n...

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

Billy Joel: Greatest Hits, Volumes I and II (1985)

As you may know, I'm something of a connoisseur of compilations. I have three guidelines that I like my greatest hits to follow, though I am open to these rules being disregarded in certain cases. It's not an exact science. Billy Joel's 1985 Greatest Hits Volumes I and II (an odd title for a set that was never sold separately) is proof of that.  It mostly follows the rules. The songs are in chronological order. There are no remixes, just a couple of single edits; there are two live songs, but those were actually were the versions that charted. And there are two new songs - we'll get to them eventually - but both ended up in the Top 40, so in retrospect that was a good decision. My mom bought the double LP when it came out and then dubbed it to a tape that lived in her car for at least three years. It and An Innocent Man were part of the soundtrack of the second half of my first decade of life. So I have a hard time criticizing something so ingrained in my consciousne...