Skip to main content

A Requiem For 2007

I think I can finally admit it: 2007 sucked.

Don't misunderstand me. On nearly every count, this was the best year of my life. I switched from a miserable job to a dreamy one. I moved to a new place for the first time in 8 years, saying a final goodbye to karaoke Daryl and miserly landlords. And a romance that began late in October 2006 deepened and grew. As of last month, I'm engaged.

That's a year no one could complain about. And yet...

If you follow the music industry it's been impossible to miss the growing sense of doom. I am not a naysayer by nature, but I can't help but believe that the music industry as we know it is dying, slowly-and-surely. I guess part of me wanted to believe that digital and physical sales would continue to co-exist, each feeding off the other. But with CD sales dropping by the week, it appears that the future of music is in downloads. And that has big implications on how we experience music and on the future of the album itself.

But that's not even what I want to write about. I have no doubt that we're in an awkward transitional phase and that the changes ahead will result in a new status quo for music lovers. It just so happens that this coming change made itself clear during the least exciting musical year I've experienced since my obsession began 11 years ago.

This is probably no surprise if you follow 3 Minutes, 49 Seconds regularly. I post when I'm excited. This year that has happened only 17 times. That's a pathetic number. Consider that in the first TWO months of starting this blog, I posted 22 times!

Some might say that my own domestic bliss is a factor. It's the Hornby Theory: Pop music is best experienced in times of trauma and unhappiness. There's also the question of whether or not my musical obsession was just a placeholder, a substitute for love. I seriously considered both of these possibilities. But recently, after watching the excellent Peter Bogdonavich documentary about Tom Petty and the Heartbreakers, I set off on a minor two week obsession with their music, including the requisite trip to Cheapo to dig up some of their old LPs. It was a welcome reminder that I could still connect.

It leads me to the conclusion that I stated at the beginning: This has been a blah year for my relationship with music. I used to not believe in that sort of thing, bad years for entertainment. I used to think there were always gems to be found. I can't deny that certain songs and albums have spoken to me this year. It has just been much quieter than usual, less lasting and less frequent. Albums by perennial favorites such as Prince, Foo Fighters, Kelly Clarkson, Bjork, and even Spoon and Crowded House have disappointed to varying degrees. What's worse, precious few new artists insinuated themselves into my playlists.

In a couple of weeks I'll finalize my end-of-the-year favorites list, and I'm afraid that we may not even get to an even 10. It's tempting to look at it as a sign o' the times. Luckily, a new year is a time of fresh starts and renewed hope. Here's to 2008!

Comments

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n...

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

Rock Bottom: The Beach Boys

The one constant in every established artist's oeuvre is the bad album , the one that's reviled by both fans and critics. Those unlovable albums are the ones this feature, Rock Bottom , is concerned with. Here's how it works: I've consulted three sources, the AllMusic Guide and Rolling Stone (for the critical point-of-view) and Amazon.com (for the fan perspective*). The album with the lowest combined rating from both sources is the one I'll consider the worst. I may not always agree with the choice, and my reviews will reflect that. I'll also offer a considered alternative. Finally, there are some limits. The following types of albums don't count: 1) b-sides or remix compilations, 2) live albums, 3) albums recorded when the band was missing a vital member, and 4) forays into a different genres (i.e. classical). *A note about Amazon.com. I consider this the fan perspective, because most people who choose to review albums on this site are adoring fans of ...