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Showing posts from September, 2010

Rock Solid: Prince

"If you only own one album by Prince it's gotta be [insert masterpiece here]."

Welcome to Rock Solid, where we fill in the blank. Our goal is to pseudo-scientifically determine the best, the beloved, the most classic album in an artist's catalog.

Here's how it works: I've consulted two main sources. The All Music Guide provides the professional critical point-of-view and Amazon.com offers the fan perspective (because most people who choose to review albums on Amazon are adoring fans of the artist in question). The album with the highest combined rating from both sources is the one I'll consider the best.

The declared winner will be subjected to the Thriller Test (do I need to explain the name?), a set of 4 criteria an album should meet to be considered a masterpiece. Those are 1) at least 3 hits, 2) great album tracks that sh/could have been hits, 3) no filler, and 4) memorable cover art.

An artist's entire body of work is eligible, …

274. XTC: Nonsuch (1992)

Nonsuch is the 10th XTC album, but it was the 3rd for me, purchased at a Circuit City for $5.99 in the infancy of my XTC fandom.

At the time, I didn't know much about the band other than that I wanted more of their music. I already owned Oranges and Lemons and Waxworks (a collection of early singles), and wasn't sure where to go next. I bought Nonsuch because I thought it was a latter-day "best of" compilation.

Why did I think that? Well, the sheer number of songs (17!) was one factor, but mostly it was the back cover. Each track was given a box and an illustration, lending it an air of individual importance. Plus, the album title seemed like a insouciant nod to the thrown-together nature of hits collections.

And though a listen and a look at the interior liner notes proved me wrong, I'd still say I wasn't too far off. Afterall, Nonsuchdoes contain all of XTC's major themes: the peaks and valleys of romance, war, human nature, and societal ills. Musically …