Skip to main content

157. Alanis Morissette: Supposed Former Infatuation Junkie (1998)

Ah, the album after the squillion-selling smash hit album. Artists generally react to massive success in three distinct ways. 1) They simply try to replicate the previous record. Examples: Michael Jackson's Bad and U2's Zooropa. 2) They make a slightly or significantly better album. Examples: Nirvana's In Utero and Beastie Boys' Paul's Boutique. 3) They get completely overindulgent. Examples: Oasis' Be Here Now and Fleetwood Mac's Tusk.

Alanis' follow-up to the massive critical and commercial success of Jagged Little Pill falls squarely into the latter category. Not only is it 17 songs long, many of the songs flirt with dissonance and showcase Morissette's tendency to force a lyric to fit a melody.

As with any overlong album there are three categories: 1) the good (which we'll save for last), 2) the neither good nor bad (a majority in this case) and 3) the interesting. As I wrote when I reviewed Robbie Williams' Rudebox, an indulgent album can be a litmus test for an artist. It can either completely kill them or it can make them more intriguing. And Supposed Former Infatuation Junkie definitely does the latter for Alanis. At times it seems she just opened up her journal and started singing, and that leads to a startling sense of voyuerism.

To wit, the first song, Front Row, is about a romance gone wrong. If I'm remembering my rumors correctly, it was supposedly about her failed relationship with Leonardo DiCaprio. Interesting, right? Especially when she says, "I'm in the front row / The front row, with popcorn / I get to see you / See you close up" as though she never did when they were dating. The rest of the song sounds like a spill of words, like someone who has just been through something and hasn't processed it all yet.

The whole record is pretty much like that. Unsent is a collection of letters to ex-lovers. Baba is a '90s version of The Beatles Sexy Sadie, a scathing condemnation of a false prophet. The Couch is an obtuse tale of therapy which may-or-may not be about Morissette's father.

And then there are a few absolute gems, and I'm surprised to find that there's a theme to them. First is Thank U. I was completely enamored of that song when I first heard it. It spoke to me in ways I couldn't quite articulate, except to say that inner calm is something I've always worked toward. I still get chills, because Alanis sounds so heartfelt.

The next standout is That I Would Be Good, a simple, understated (!) song of self acceptance. "That I would be good if I got and stayed sick / That I would be good even if I gained ten pounds." The warts and all flute solo at the end proves the song's point.

Finally, Joining You is cast as a message to an old friend, basically trying to give him/her a bigger perspective on life's problems. While reminiscing about their relationship, she wisely points out that outside labels and inner demons don't define us. Imagine that, Alanis telling someone else to chill!

Despite the high points and the personal insight into Alanis herself, Supposed Former Infatuation Junkie is not what I'd call a good record. Listening to it all the way through is a chore, and many songs are grating. Even so, I'm guessing that it was a necessary stepping stone for Morissette as an artist. Thankfully, with 10 years of perspective, it's clear that Alanis learned her lesson. The two albums since this one have been strong, focused, and succinct (11 and 10 songs respectively).

Grade: C-
Fave Song: Thank U

Comments

Popular posts from this blog

Honoring the Legacy of REO Speedwagon

I suppose I should have known the saga of REO Speedwagon couldn't end with a whimper. Before I get into the latest developments, here's a brief review of what's happened so far: In September 2024 came the announcement that the band was effectively breaking up at the end of the year. Apparently, frontman Kevin Cronin ruled that bassist Bruce Hall was no longer fit to continue touring following back surgery in summer 2024. Hall felt otherwise. Here we learned that REO had essentially become a three-way partnership between Cronin, Hall, and Doughty (who retired from touring in January 2023) following the departure of original members Alan Gratzer and Gary Richrath in 1988. Doughty sided with Hall, so Cronin was outvoted 2-1. No Bruce Hall, no REO Speedwagon. In December 2024 Cronin revealed he would continue performing REO Speedwagon songs with the two musicians who replaced Doughty and Hall, as well as Brian Hitt and Dave Amato (who replaced Gratzer and Richrath), with the on...

Billy Joel: 1980 - 1977

When I decided to write about every single Billy Joel studio album I knew had a bit of a leg up in that I'd written reviews of a handful of his records already. What I didn't realize until just now was that those reviews were of albums that had been released consecutively between 1977 and 1980. As I reread those reviews - the most recent of which is 14 years old! - I found that I still stand by them. My writing style has mellowed a bit, and I no longer give grades to albums, but otherwise my opinions then are my opinions now. So here you go... Billy Joel: Glass Houses (1980) Billy Joel: 52nd Street (1978) Billy Joel: The Stranger   (1977)

Billy Joel: Turnstiles (1976)

Turnstiles is, along with An Innocent Man and The Stranger , in my top three Billy Joel albums. It has pretty much everything you might want from the Piano Man. It has two beloved classics: "Say Goodbye to Hollywood" and "New York State of Mind." And while I like that they respectively open and close side one, I think these two are the key moments to the album's story, and thus wish they'd been sequenced a bit differently (more on that in a bit). It has virtuosity. The opening to "Angry Young Man," called "Prelude," with its lightning fast hammered piano, is the most obvious display of Billy's growing talents. But it wasn't just him. Turnstiles is the first recorded appearance of the Billy Joel band - Richie Cannata, Liberty DeVitto, Russell Javors, Howie Emerson, and Doug Stegmeyer - and their performances show they were able to handle pretty much anything with aplomb. It has introspection and wisdom. Billy was only 27 years old ...