Skip to main content

2006: Top Ten

It's once again that magical time when we summarize a year's worth of music consumption into a couple of handy lists.

Check out my pal Richard Nelson's picks on
Highway 290 Revisited.

Soul Asylum – The Silver Lining

read the review

A Twin Cities supergroup featuring an ex-Prince drummer, an uber-producer, an ex-Replacement, a member of Golden Smog and a guy who dated Winona Ryder make the best album of a 20-year career.





Dixie Chicks - Taking The Long Way

read the review

After the gentle, easy-going Home, it’s nice to hear the Chicks get fired up and passionate. I guess Bush is good for something.







Ronnie Milsap – My Life

read the review

I actually hate 2 of these 11 songs. But I love the other 9. In fact, they stand with any other of the other fine tunes Milsap has recorded in his long career.






The Roots - Game Theory

read the review

One of the rare rap albums that manages to give an instant thrill but also deepens with every listen.







Elton John - The Captain & The Kid

read the review

Comeback number 19 goes forward by looking backward and becomes a classic to add to the canon. And when that keyboard gets going in Just Like Noah’s Ark, I’ve just gotta bop.







David Mead - Tangerine

read the review

I didn’t think it was possible to be both shambling and virtuosic at the same time, but Mead does it with style. A sense of adventure and an unerring knack for melodic guide him on his merry way.





The Hold Steady - Boys And Girls In America

read the review

You know a band is good when your mom says, “ I liked the groove, but I got less excited when he started to sing."







The Honeydogs - Amygdala

read the review

Sometimes I wonder if the local boys don’t get a leg up on others simply because of my geographical loyalty. Then they put out a set of melodies like this one, and I know I’d put them against any other artist or album in the land.





Scissor Sisters - Ta-Dah

read the review

It took them a couple of weeks, but once the Sisters got their hooks in I couldn’t resist. Plenty of dance tracks but an equally impressive number of thoughtful ballads.






Rhett Miller - The Believer

read the review

5 killer songs surrounded by 7 merely great ones, this album stuck with me from its release, seeing me through ups and downs and always seeming applicable in either place. And his First Avenue show in April was a barn burner.

Comments

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n...

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

Rock Bottom: The Beach Boys

The one constant in every established artist's oeuvre is the bad album , the one that's reviled by both fans and critics. Those unlovable albums are the ones this feature, Rock Bottom , is concerned with. Here's how it works: I've consulted three sources, the AllMusic Guide and Rolling Stone (for the critical point-of-view) and Amazon.com (for the fan perspective*). The album with the lowest combined rating from both sources is the one I'll consider the worst. I may not always agree with the choice, and my reviews will reflect that. I'll also offer a considered alternative. Finally, there are some limits. The following types of albums don't count: 1) b-sides or remix compilations, 2) live albums, 3) albums recorded when the band was missing a vital member, and 4) forays into a different genres (i.e. classical). *A note about Amazon.com. I consider this the fan perspective, because most people who choose to review albums on this site are adoring fans of ...