Skip to main content

135. Vince Gill - These Days (2006)

In country, artists who compose their own material are the exception rather than the rule. And yet here we have Vince Gill, who has not only released 4 albums simultaneously (a feat not even matched by Prince), but also had a hand in writing all 43 songs.

As many admirers as Gill has (myself included), none would have considered him an artistic force. Maybe it's time to change that. As with any sprawling project, there are some duds, but there are also plenty of gems. Here's the scoop on the four discs, by the numbers:

Disc One: Workin' On A Big Chill (The Rockin' Record)

Happy Love Songs: 5
Sad Heartbreak Songs: 2
Church Songs: 0
Murder Ballads: 0
Wanderin' Man Songs: 3

Guest Artists: Gretchen Wilson, Rodney Crowell, Bekka Bramlett, Michael McDonald

Lowlights:
Cowboy Up (bravado-laced hick song more suited to Toby Keith)
Workin' On A Big Chill (a beach bum tune more suited to Jimmy Buffett)
Rhythm Of The Pourin' Rain (uncomfortably horny and unsexy)

Highlights:
Love's Standin' (horns and a delicious '60s guitar lick)
Nothin' For A Broken Heart (like Chuck Berry and Jerry Lee Lewis doing a duet)

Summary: Gill stretches a bit too much out of character. It's the worst disc of the four.
Grade: C

Disc Two: The Reason Why (The Groovy Record)

Happy Love Songs: 5
Sad Heartbreak Songs: 5
Church Songs: 2
Murder Ballads: 1
Wanderin' Man Songs: 0

Guest Artists: LeeAnn Rimes, Alison Krauss, Bonnie Raitt, Sheryl Crow, Diana Krall, Jenny Gill, Trisha Yearwood, Amy Grant

Lowlight:
Tell Me One More Time About Jesus (then again, don't)

Highlights:
What You Give Away (inspiring gospel-tinged life advice)
Time To Carry On (haunting I'm-getting-over-you tune)
How Lonely Looks (vintage Gill falsetto)
Everything And Nothing (Elton John should record this)
Which Way Will You Go (sort of an inverse Goodbye Earl)

Summary: This is where Gill's strengths lie and is thus the best disc of the four. The songs are gentle, mannered and full of hooks, the guests slot in perfectly without being distracting, and the two jazz forays prove Gill could have a second career as a crooner.
Grade: A-

Disc Three: Some Things Never Get Old (The Country & Western Record)


Happy Love Songs: 3
Sad Heartbreak Songs: 5
Church Songs: 0
Murder Ballads: 0
Wanderin' Man Songs: 2

Guests: Alison Krauss, Patty Loveless, Emmylou Harris, Phil Everly, LeeAnn Womack, John Anderson

Lowlight:
I Can't Let Go (overdramatic)

Highlights:
This New Heartache (lots of references to old C & W artists and songs)
Some Things Never Get Old (includes a jarring shout-out to John Prine)
Take This Country Back (a plea to reclaim country music, with the line "how we gonna face the man in black?")

Summary: The second best disc of the four and also the twangiest.
Grade: B

Disc Four: Little Brother (The Acoustic Record)

Happy Love Songs: 4
Sad Heartbreak Songs: 2
Church Songs: 1
Murder Ballads: 1
Wanderin' Man Songs: 2

Guests: Jenny Gill, Del McCoury, Rebecca Lynn Howard, Guy Clark

Lowlights:
Sweet Augusta Darlin' (forced and unoriginal)
Almost Home (a weird song; I think Guy Clark is supposed to be the voice of God)

Highlights:
Ace Up Your Pretty Sleeve (the title phrase doesn't work for me, but the song is very nice)
Molly Brown (first rate blues murder ballad about a white / black romance)
Little Brother (a sweet family reminiscence)

Summary: It's hard for this disc to avoid becoming samey throughout.
Grade: B-

Comments

Popular posts from this blog

Billy Joel: 1980 - 1977

When I decided to write about every single Billy Joel studio album I knew had a bit of a leg up in that I'd written reviews of a handful of his records already. What I didn't realize until just now was that those reviews were of albums that had been released consecutively between 1977 and 1980. As I reread those reviews - the most recent of which is 14 years old! - I found that I still stand by them. My writing style has mellowed a bit, and I no longer give grades to albums, but otherwise my opinions then are my opinions now. So here you go... Billy Joel: Glass Houses (1980) Billy Joel: 52nd Street (1978) Billy Joel: The Stranger   (1977)

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

The End of REO Speedwagon's Road

I devoted the summer of 2019 to listening to and writing about Champaign, Illinois' own REO Speedwagon. It was an eye-opening journey through a complex and inspiring history, and one that ended with me seeing them in concert for the first time. They've played nearby a couple of times since then, but I haven't ventured out for various reasons. Then I saw that they were playing right here in my hometown in early November. I looked into tickets right away, but I didn't end up buying one, partly because they were quite expensive, but mostly because Ticketmaster wouldn't let me buy a ticket for just one seat! I figured I'd wait until the day of and see what offers were out there. Then, in mid-September, came the news. The band released a statement revealing that they would cease touring - and though it wasn't stated, cease to be a band - effective January 1, 2025. In digging further into this announcement, I learned that founding member Neal Doughty retired in Ja...