Skip to main content

135. Vince Gill - These Days (2006)

In country, artists who compose their own material are the exception rather than the rule. And yet here we have Vince Gill, who has not only released 4 albums simultaneously (a feat not even matched by Prince), but also had a hand in writing all 43 songs.

As many admirers as Gill has (myself included), none would have considered him an artistic force. Maybe it's time to change that. As with any sprawling project, there are some duds, but there are also plenty of gems. Here's the scoop on the four discs, by the numbers:

Disc One: Workin' On A Big Chill (The Rockin' Record)

Happy Love Songs: 5
Sad Heartbreak Songs: 2
Church Songs: 0
Murder Ballads: 0
Wanderin' Man Songs: 3

Guest Artists: Gretchen Wilson, Rodney Crowell, Bekka Bramlett, Michael McDonald

Lowlights:
Cowboy Up (bravado-laced hick song more suited to Toby Keith)
Workin' On A Big Chill (a beach bum tune more suited to Jimmy Buffett)
Rhythm Of The Pourin' Rain (uncomfortably horny and unsexy)

Highlights:
Love's Standin' (horns and a delicious '60s guitar lick)
Nothin' For A Broken Heart (like Chuck Berry and Jerry Lee Lewis doing a duet)

Summary: Gill stretches a bit too much out of character. It's the worst disc of the four.
Grade: C

Disc Two: The Reason Why (The Groovy Record)

Happy Love Songs: 5
Sad Heartbreak Songs: 5
Church Songs: 2
Murder Ballads: 1
Wanderin' Man Songs: 0

Guest Artists: LeeAnn Rimes, Alison Krauss, Bonnie Raitt, Sheryl Crow, Diana Krall, Jenny Gill, Trisha Yearwood, Amy Grant

Lowlight:
Tell Me One More Time About Jesus (then again, don't)

Highlights:
What You Give Away (inspiring gospel-tinged life advice)
Time To Carry On (haunting I'm-getting-over-you tune)
How Lonely Looks (vintage Gill falsetto)
Everything And Nothing (Elton John should record this)
Which Way Will You Go (sort of an inverse Goodbye Earl)

Summary: This is where Gill's strengths lie and is thus the best disc of the four. The songs are gentle, mannered and full of hooks, the guests slot in perfectly without being distracting, and the two jazz forays prove Gill could have a second career as a crooner.
Grade: A-

Disc Three: Some Things Never Get Old (The Country & Western Record)


Happy Love Songs: 3
Sad Heartbreak Songs: 5
Church Songs: 0
Murder Ballads: 0
Wanderin' Man Songs: 2

Guests: Alison Krauss, Patty Loveless, Emmylou Harris, Phil Everly, LeeAnn Womack, John Anderson

Lowlight:
I Can't Let Go (overdramatic)

Highlights:
This New Heartache (lots of references to old C & W artists and songs)
Some Things Never Get Old (includes a jarring shout-out to John Prine)
Take This Country Back (a plea to reclaim country music, with the line "how we gonna face the man in black?")

Summary: The second best disc of the four and also the twangiest.
Grade: B

Disc Four: Little Brother (The Acoustic Record)

Happy Love Songs: 4
Sad Heartbreak Songs: 2
Church Songs: 1
Murder Ballads: 1
Wanderin' Man Songs: 2

Guests: Jenny Gill, Del McCoury, Rebecca Lynn Howard, Guy Clark

Lowlights:
Sweet Augusta Darlin' (forced and unoriginal)
Almost Home (a weird song; I think Guy Clark is supposed to be the voice of God)

Highlights:
Ace Up Your Pretty Sleeve (the title phrase doesn't work for me, but the song is very nice)
Molly Brown (first rate blues murder ballad about a white / black romance)
Little Brother (a sweet family reminiscence)

Summary: It's hard for this disc to avoid becoming samey throughout.
Grade: B-

Comments

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n

12 by Matthew Sweet (2002 - 2021)

Sometimes a huge part of an artist's career has not been summarized. Case in point... Matthew Sweet has a couple of compliations out there, but neither of them cover the past couple of decades, a span that has seen him release 8 albums of original material and 3 albums of covers.  I followed Sweet's career religiously early on, with my ardor gradually diminishing after the magnificant one-two punch of In Reverse (1999) and The Thorns (2003) That's not to say he hasn't produced some great work since then, it's just that it requires bit of effort to pick out the gems. Here's my college try: (Two of these albums are not available on streaming servies, so here's a slightly modified version of the playlist on YouTube .) 1. "I Can't Remember" ( The Thorns , 2003) The Thorns was a rootsy, close-harmony early-aughts version of Crosby, Stills, and Nash, featuring Shawn Mullins (of "Lullaby" fame) and Pete Droge (of "If You Don't Lov

The Beatles: "Now and Then" (2023)

All the way back in 2008, I wrote a series of  posts covering the recorded output of an obscure 1960s band called The Beatles. Though never especially popular or commercially successful, they managed to release an impressive 13 albums and 2 compilations in a 7-year period. Once I completed those reviews, I promptly forgot all about the Beatles. I was sure that I didn't need to keep tabs on them, because all indications were that they'd never reunite or release any more music. So you can imagine my surprise a couple of weeks ago when I came across a YouTube video claiming to be about the making of a new "final" Beatles song called "Now and Then." And then imagine even more surprise when I learned that this song was not the first new Beatles song since 1970. It's the third! As it turns out, the Beatles had actually "reuinted" to record more music in the 1990s. Though band member John Lennon was killed in 1980, he left behild some unfinished songs