Skip to main content

12 by Ra Ra Riot

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features...


Influenced equally by '70s AM gold soft rock, Electric Light Orchestra, late '70s/ early '80s new wave, and mid-'80s dance pop, Ra Ra Riot has released five albums, each one as-good-as or better-than the last. 

Because of the way they wear their influences, Ra Ra Riot's music creates a disorienting-but-extremely-pleasant nostalgia. So making this list was very difficult, especially in having to omit songs such as "Beta Love," "Water," "Suckers," and "This Time of Year."

If you have Amazon Music Prime, you can listen along here.


1. "Too Too Fast" (from The Rhumb Line, 2008)
Combines '80s dance synths with a little bit of the Strokes and a a little bit of the Talking Heads, then stirs until combined.

2. "Dying is Fine" (from The Rhumb Line, 2008)
Lyrically the chorus borrows from the e.e.cumings poem of the same name. Musically, relies heavily on Rebecca Zeller's violin and Alexandra Lawn's cello.

3. "Do You Remember" (from The Orchard, 2010)
The ache in Wes Miles' voice on that vocal outro...

4. "Too Dramatic" (from The Orchard, 2010)
The lyrics are about someone who is too dramatic, but the musical arrangement is just the right amount of dramatic (especially the dancey synth bridge).

5. "Boy" (from The Orchard, 2010)
Mathieu Santos' bass-playing in this song is just insane.

6. "Angel, Please" (from Beta Love, 2013)
You know that video where someone put Phoenix's "Listzomania" over scenes from John Hughes movies? It could have just as easily been this song.

7. "That Much" (from Beta Love, 2013)
The jagged guitar solo dissolving into an electronic screech gets me every time.

8. "Bad Times" (from Need Your Light, 2016)
That chorus.

9. "Call Me Out" (from Need Your Light, 2016)
If you wanted to make a case for Miles being one of rock's best and most elastic vocalists, this would be the song to submit for consideration.

10. "Dangerous" (from Superbloom, 2019) 
Perfectly captures what it's like to fall for someone you know is bad news: "It takes so much work but it's worth all the hurt for the couple of times I feel good."

11. "Bitter Conversation" (from Superbloom, 2019)
The band goes full yacht rock, and the results are freaking glorious. 

12. "Backroads" (from Superbloom, 2019)
Correction: This is actually where the band goes full yacht rock. Somewhere in Texas, Christopher Cross is smiling.

Comments

Popular posts from this blog

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n...

Billy Joel: 1980 - 1977

When I decided to write about every single Billy Joel studio album I knew had a bit of a leg up in that I'd written reviews of a handful of his records already. What I didn't realize until just now was that those reviews were of albums that had been released consecutively between 1977 and 1980. As I reread those reviews - the most recent of which is 14 years old! - I found that I still stand by them. My writing style has mellowed a bit, and I no longer give grades to albums, but otherwise my opinions then are my opinions now. So here you go... Billy Joel: Glass Houses (1980) Billy Joel: 52nd Street (1978) Billy Joel: The Stranger   (1977)