Skip to main content

12 by Rhett Miller

Here's the drill: 12 songs to summarize an artist's career, in chronological order (of course). This one features...


I wrote about his band, so it's only fair that I write about Rhett Miller's solo output. There are differences between the two, of course, but if you like one, you're pretty much guaranteed to like the other.

Let me just add that I love how Rhett thematically titles his albums - his live album is called The Interpreter - and hate that he messed up the pattern by self-titling his 2009 record.

If you have Amazon Music Unlimited, you can listen along here.


1. "This Is What I Do" (from The Instigator, 2002)
A statement of purpose told through a very-Jon-Brion pop arrangement.

2. "Come Around" (from The Instigator, 2002)
I know from personal experience that this song hits hard when you're in the middle of a doomed romantic entanglement.

3. "Help Me, Suzanne" (from The Believer, 2006)
A ray of sunshine in the form of a song.

4. "Fireflies" (from The Believer, 2006)
A smoky break-up duet with Rachel Yamagata that leans hard into a classic country sound.

5. "Like Love" (from Rhett Miller, 2009)
Featuring fantastic performances all around, this tune manages the magic trick of being musically complex while sounding simple and straightforward.

6. "Another Girlfriend" (from Rhett Miller, 2009)
Shows off Rhett's traditionalist side; this could have been a hit for George Jones circa 1972.

7. "Love Grows" (from The Dreamer, 2012)
A short and sweet little shuffle.

8. "Picture This" (from The Dreamer, 2012)
Honestly, having small children never felt like this except for the part about "confusion," but it's a very sweet song nevertheless.

9. "Jules" (from The Traveler, 2015)
The presence of Black Prairie (featuring members of The Decemberists) brings some musical drama to this ode to a mixed-up love affair.

10. "Lucky Star" (from The Traveler, 2015)
Not a cover of the Madonna song, but it has pretty much the same sentiment behind it.

11. "Total Disaster" (from The Messenger, 2018)
A weird combination of 1960s surf rock and 1980s mope rock, and a fine addition to the subcategory of Old '97s / Rhett Miller songs where he details how much of a mess he is.

12. "Close Most of the Time" (from The Messenger, 2018)
A partial autobiography that jumps through time with vignettes about Rhett's relationship status, mental health, and his cars. Musically, it could be a long-lost Zombies tune.

Comments

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n...

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

Billy Joel: Greatest Hits, Volumes I and II (1985)

As you may know, I'm something of a connoisseur of compilations. I have three guidelines that I like my greatest hits to follow, though I am open to these rules being disregarded in certain cases. It's not an exact science. Billy Joel's 1985 Greatest Hits Volumes I and II (an odd title for a set that was never sold separately) is proof of that.  It mostly follows the rules. The songs are in chronological order. There are no remixes, just a couple of single edits; there are two live songs, but those were actually were the versions that charted. And there are two new songs - we'll get to them eventually - but both ended up in the Top 40, so in retrospect that was a good decision. My mom bought the double LP when it came out and then dubbed it to a tape that lived in her car for at least three years. It and An Innocent Man were part of the soundtrack of the second half of my first decade of life. So I have a hard time criticizing something so ingrained in my consciousne...