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Radio, Radio: A Scientific Study of Cities 97

To start, I want to make it clear that I'm not going to write a comprehensive screed about the state of modern radio. Whatever problems radio has, it's had them for many years, and there are people who are much more informed and insightful on the topic than I am. Of course, you may wish to apply the conclusions drawn below more broadly, but that's out of my hands.

Instead, this piece is a scientific experiment of sorts, a detailed analysis of Twin Cities station Cities 97 (KTCZ-FM), a Clear Channel joint.

Why, you may ask, if I didn't not have a theory to prove about the state of radio, did I decided to perform this experiment? Well, basically it comes out of 10 years of tumultuous Twin Cities radio. When I first moved here in 1999, there were a few good choices for hearing new pop and alternative music. There was 104.1 The Point. It didn't last long and soon became an '80s station called Mix 104. Now it's 104.1 Jack FM. The 105.3 signal was Zone 105 when I m…

REO Speedwagon: Good Trouble (1982)

Where we left off:
REO Speedwagon became household names with the massive sales of Hi Infidelity and the number 1 hit "Keep On Loving You."

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The common narrative pushed by a certain segment of REO Speedwagon fans and various critics is that the breakthrough of Hi Infidelity led the band to abandon their rock bonafides and become a synth band that mostly wrote ballads.

As direct evidence that this is a false narrative, I offer you Good Trouble. From the organ solo on opener "Keep the Fire Burnin'" to the atmospheric rock of Gary Richrath's "Stillness of the Night," Good Trouble is very much continuous with the REO of 1976 on.

Released in June 1982, meaning the guys barely had a moment to breathe following the mega-tour for Hi Infidelity, Good Trouble is in many ways the yang to its predecessor's yin. While Hi Infidelity was a loose concept album about heartbreak, this one is heavy on love songs and devotionals. Cronin's ballad "Sweet …

262. Broken Bells: Broken Bells (2010)

Broken Bells is a collaboration between Shins frontman James Mercer and producer extraordinaire Brian "Danger Mouse" Burton. The latter has already had great success as half of a super-duo, teaming with Cee-Lo to become Gnarls Barkley.

And though it contains no breakout hit on the level of Crazy, Broken Bells' debut album is an enjoyable piece of work.

However, that assessment is mostly dependent on you holding Mercer in high regard, since his voice and sensibility stand at the center of the record. In fact, it's easy to view Broken Bells as a James Mercer solo album with production by Danger Mouse. Sure, Burton cowrites every song and brings an experimental spirit with him (especially in the diverse instrumentation), but this is Mercer's show.

In fact, those hoping for something that doesn't sound mostly like The Shins will only have one song to latch onto. That'd be The Ghost Inside, which is the strange amalgam of indie rock and futuristic R & B that …