Skip to main content

205. Sean Fournier: Oh My (2008)

The Interweb has revolutionized countless aspects of our world, not the least of which is self-expression.

Artists, musicians, filmmakers, photographers, crafters, and writers are all now able to put their work out there with ginormous potential to be seen and heard. There are those rare artists who create as an instinct and have no need for others to react, but most are not content to create in a vacuum. They want other people to experience what they've done.

Singer/songwriter Sean Fournier is one such individual. He's so intent on getting his music to the masses that he's giving it away. Oh My, a 6-song sampler, features new recordings of songs from Fournier's 2005 and 2006 albums, as well as one new tune. Offering a product for free to get people interested is nothing new, but it is a good idea. And it also shows a confidence in said product.

In Fournier's case, the confidence is justified. His folk/pop sound is pleasing, well-crafted, and genuine. It was also a smart idea to include a cross-section of "greatest hits" to give listeners a good idea of the full scope of his sound.

Three songs come from his debut, Put the World on Stop. The title track is the catchiest and most lyrically adept of the bunch (who doesn't wish their life had a pause button?). Goodbye is hypnotic. The piano-driven, string-laden ballad Another Like You showcases Fournier's easy tenor.

The two songs from Fournier's sophomore album, Paper Tiger, really stand out, with a polished, radio-ready sound. Opener Broken Stereo marries a shuffling beat with a strong melody. It's about unrequited love, but could also be addressed to potential listeners: "Met you once or twice but you probably don't remember me / 'cause I go undiscovered / You confuse me for another." Falling for You is a sweet love song, and like Put the World On Stop, it features the words "oh my god" in the chorus, thus the title of the EP.

The one completely new song in the collection, Holding the Hand of the Hurricane, seems a little bit out-of-place. It's got a dark mood and an edgier sound, thanks to some vocal distortion effects, and cool, eerie, background vocals. After the uber-melodic tunes on rest of the EP, it's definitely a change of pace. I'm just not sure I wanted a change of pace...

As they say on Reading Rainbow, don't take my word for it. It's simple enough to listen for yourself: http://www.sean-fournier.com/ohmy. For me, at least, Fournier's gambit worked. I plan to buy some of his other tracks from iTunes, and I'll definitely have my ear out for what Fournier does in the future.

Grade: B+
Fave Song: Put the World On Stop

Comments

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n...

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

Billy Joel: Greatest Hits, Volumes I and II (1985)

As you may know, I'm something of a connoisseur of compilations. I have three guidelines that I like my greatest hits to follow, though I am open to these rules being disregarded in certain cases. It's not an exact science. Billy Joel's 1985 Greatest Hits Volumes I and II (an odd title for a set that was never sold separately) is proof of that.  It mostly follows the rules. The songs are in chronological order. There are no remixes, just a couple of single edits; there are two live songs, but those were actually were the versions that charted. And there are two new songs - we'll get to them eventually - but both ended up in the Top 40, so in retrospect that was a good decision. My mom bought the double LP when it came out and then dubbed it to a tape that lived in her car for at least three years. It and An Innocent Man were part of the soundtrack of the second half of my first decade of life. So I have a hard time criticizing something so ingrained in my consciousne...