Skip to main content

198. Dan Wilson: Free Life (2007)

All things reconsidered:

It's nearly time to unveil my top ten favorite albums of 2008, and as I ponder on those choices, I think back to lists of years past. It's a good idea to revisit these every so often, because my musical tastes can be mercurial. I almost always find a few omissions and errors. Maybe something I loved at the time just didn't hold up. Maybe an album that didn't hook me at first ingratiated itself and become a favorite.

It's definitely the latter case with Semisonic singer/songwriter Dan Wilson's first album, Free Life. You'd think an album full of love songs by a sensitive, intelligent performer would have gotten to me right away, but Free Life took its time. It happened bit by bit. I'd find myself seeking out the album specifically amidst the 1,800 other CDs in my collection. I'd catch myself humming or singing bits of this song or that one.

In retrospect, it makes sense. Wilson is not the kind of artist who's going to dazzle you; he's not Bowie or Prince. He's much more in the school of James Taylor or Paul Simon. You take their songs for granted at first, before you realize how exquisitely they're written and how you never really get sick of them.

Free Life's highlights are many, including All Kinds, the searching title track, Sugar (featuring uncharacteristically-understated vocal support from Sheryl Crow), and the driving Against History. I also like the solo version of Easy Silence - a song Wilson wrote with the Dixie Chicks for their Taking The Long Way album - that puts the focus squarely on the melody and lyrics.

There's also a pseudo-reunion of Semisonic on Baby Doll (with the other two Semisonic guys, John Munson and Jacob Slichter, on bass and drums respectively), and even though I think calling someone "baby doll" is creepy in any context, I can't deny the musical chemistry.

Speaking of creepy, I just can't get past the title of Golden Girl. Maybe Wilson should pay a little more attention to pop culture and realize we don't want to hear a love song and think of either a) Bea Arthur or b) Thank You For Being A Friend. While I'm complaining, the chorus of She Can't Help Me Now is a little too E.L.O. for comfort. Don't get me wrong; I like E.L.O., just not in this context.

But overall, this is simple, excellent album with songs that won't let go once they get ahold of you.

And of course, this reconsideration means someone's gotta get the boot from my 2007 top ten. Bruce Springsteen, I'm looking at you.

Grade: A-
Fave Song: Sugar

Comments

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n...

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

Rock Bottom: The Beach Boys

The one constant in every established artist's oeuvre is the bad album , the one that's reviled by both fans and critics. Those unlovable albums are the ones this feature, Rock Bottom , is concerned with. Here's how it works: I've consulted three sources, the AllMusic Guide and Rolling Stone (for the critical point-of-view) and Amazon.com (for the fan perspective*). The album with the lowest combined rating from both sources is the one I'll consider the worst. I may not always agree with the choice, and my reviews will reflect that. I'll also offer a considered alternative. Finally, there are some limits. The following types of albums don't count: 1) b-sides or remix compilations, 2) live albums, 3) albums recorded when the band was missing a vital member, and 4) forays into a different genres (i.e. classical). *A note about Amazon.com. I consider this the fan perspective, because most people who choose to review albums on this site are adoring fans of ...