Skip to main content

106. Teddy Thompson - Separate Ways (2006)

Teddy Thompson is the son of Richard and Linda Thompson, and this begs the question, what would it be like to be the scion of the couple that made one of the best break-up albums of all time (Shoot Out The Lights)? Strange, I'd guess.

Children of rock stars who try to make a go of it on their own have approached it in a multitude of ways. In Jakob Dylan's case, he purposefully distanced himself from his father as he tried to make his own name. At the other extreme there's Ben Taylor, who just flat out imitates James.

Teddy doesn't sound like Richard, nor does he run away from the relation. In fact, it seems life can be good when you have a widely respected guitarist / songwriter for a dad. The impressive list of guest players on this album includes Garth Hudson (The Band), Dave Mattacks (Fairport Convention, XTC) and, on five songs, Richard himself. What's more impressive is that Teddy still manages to show he has the chops to make it on his own.

As an album, Separate Ways is well-sequenced and varied in mood and style. In terms of individual songs, standouts include the musical self-pep talk I Should Get Up, the lost Crowded House hit Altered State and You Made It, a pop rocker that includes the line "you're so good looking," which will have a nice double meaning for any Seinfeld fan.

The title track serves as a centerpiece for the album and for a trilogy of songs about the end of a relationship. Separate Ways manages to be both earnest ("not all who love are blind / some of us are just too kind") and funny ("I don't care about you / If you don't care about me"). That's actually a combo that shows up a couple of times on the record, and Thompson handles it quite well.

To wit, I Wish It Was Over (the first part of the trilogy) injects humor into the serious matter of bad relationships. Basically, he tells his lover he can't stand her anymore and says, "this bein' together / is tearin' me apart." Similarly, the opener, Shine So Bright, sounds like a serious meditation, complete with heavenly background vocals from fellow musician offspring Martha and Rufus Wainwright. But a close listen to the verses and you realize that Teddy has his tongue firmly in cheek while wishing for a ludicrous level of fame.

The funny lyrics / serious delivery method wouldn't work for a whole album. And why would you want it to, when a country tune like Sorry To See Me Go (the final part of the break-up trilogy) can be so stirring in its simplicity? Or a song like That's Enough Out Of You, which is just straight up funny, and foot-stomping to boot? It's such an effective kiss-off, it makes me wish I was really pissed at someone!

As he proves on Separate Ways, Teddy Thompson knows how to use his music to work through negative emotions. I guess he comes by that pretty honestly.

Grade: B+
Fave Song: Altered State

Comments

Popular posts from this blog

Billy Joel: 1980 - 1977

When I decided to write about every single Billy Joel studio album I knew had a bit of a leg up in that I'd written reviews of a handful of his records already. What I didn't realize until just now was that those reviews were of albums that had been released consecutively between 1977 and 1980. As I reread those reviews - the most recent of which is 14 years old! - I found that I still stand by them. My writing style has mellowed a bit, and I no longer give grades to albums, but otherwise my opinions then are my opinions now. So here you go... Billy Joel: Glass Houses (1980) Billy Joel: 52nd Street (1978) Billy Joel: The Stranger   (1977)

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

The End of REO Speedwagon's Road

I devoted the summer of 2019 to listening to and writing about Champaign, Illinois' own REO Speedwagon. It was an eye-opening journey through a complex and inspiring history, and one that ended with me seeing them in concert for the first time. They've played nearby a couple of times since then, but I haven't ventured out for various reasons. Then I saw that they were playing right here in my hometown in early November. I looked into tickets right away, but I didn't end up buying one, partly because they were quite expensive, but mostly because Ticketmaster wouldn't let me buy a ticket for just one seat! I figured I'd wait until the day of and see what offers were out there. Then, in mid-September, came the news. The band released a statement revealing that they would cease touring - and though it wasn't stated, cease to be a band - effective January 1, 2025. In digging further into this announcement, I learned that founding member Neal Doughty retired in Ja...