Skip to main content

96. The Honeydogs - Everything, I Bet You (1996)

I owe The Honeydogs an apology.

While praising their 2003 album 10,000 Years the back of my hand got a little sore. I couldn't be content with just declaring the album a wonderful piece of work. I had to add that the astonishment I felt. THIS band made an album THAT good?! You're kidding me.

My surpise was genuine, but it came from an undereducated place. When I first heard 10,000 Years I had knew a total of three Honeydogs songs. It's sort of like someone who has never eaten an olive in their whole life, and in fact has claimed to dislike them, and is then surprised when they try one and like it!

So I've educated myself. I've started filling in the back catalog (where I discovered that the band's 2001 album Here's Luck had some unexpected daring of its own), and I've seen them in concert three times. The first time I saw them, last November, I was impressed with how good their old songs sounded next to the new 10,000 Years tunes.

One of those old songs was a run-laps-around-your-brain country rocker called Tell Me. It appeared on their second album 1996's out-of-print Everything, I Bet You, which I picked up recently in the used racks at Cheapo. And, at the risk of reinjuring a knuckle or two, I was surpised again! Where 10,000 Years was complex, daring, and stylistically diverse, this album is simple and direct, country-folk-rock. But damn if it isn't just as effective.

The CD opens with the twangy harmony of Your Blue Door, a song the band liked so much they reused it on their major label debut, Seen A Ghost. Highlights over the next 11 songs include the quiet lament of Miles Away, the country shuffle of Kandiyohi and a randy celebration of monogamy called Busy Man.

For me, the record's standout is not Tell Me. Nope, it's Over You, a folky statement of independence. The narrator is tired of the relationship he's in and trying to convince himself to be done with it. But he's not that strong yet. He's not saying he IS over her, but that he WANTS to be. He even sounds like he's seeking permission: "Give me the strength to walk out the door / and feel the shock of the cold air of loneliness / I wanna try and stand the test of the blues."

Moth continues that theme, detailing the frustrations of dealing with a romantic lead who can't learn her lines but won't give up the part. It's a bit more complex than Over You, but the narrator is still looking for strength, this time to resist.

That song ends with a sort of slow dance breakdown, which gives off just a hint of compositional ambition. If you take it along with the finely written tribute Miriam, you can almost see Adam Levy's songwriting developing into what it eventually became on Here's Luck and 10,000 Years.

That's NOT to say there was anything wrong with it back in 1996. While I love the idea of personal growth, I hate the idea that musicians MUST make big leaps in sound and style with every record. Everything, I Bet You proves you can do it up simple and still rock the show.

I hope that's as unqualified of a compliment as I can give the boys, even if it is 10 years late.

Grade: A-
Fave Song: Over You

Comments

Popular posts from this blog

Honoring the Legacy of REO Speedwagon

I suppose I should have known the saga of REO Speedwagon couldn't end with a whimper. Before I get into the latest developments, here's a brief review of what's happened so far: In September 2024 came the announcement that the band was effectively breaking up at the end of the year. Apparently, frontman Kevin Cronin ruled that bassist Bruce Hall was no longer fit to continue touring following back surgery in summer 2024. Hall felt otherwise. Here we learned that REO had essentially become a three-way partnership between Cronin, Hall, and Doughty (who retired from touring in January 2023) following the departure of original members Alan Gratzer and Gary Richrath in 1988. Doughty sided with Hall, so Cronin was outvoted 2-1. No Bruce Hall, no REO Speedwagon. In December 2024 Cronin revealed he would continue performing REO Speedwagon songs with the two musicians who replaced Doughty and Hall, as well as Brian Hitt and Dave Amato (who replaced Gratzer and Richrath), with the on...

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

Billy Joel: 1980 - 1977

When I decided to write about every single Billy Joel studio album I knew had a bit of a leg up in that I'd written reviews of a handful of his records already. What I didn't realize until just now was that those reviews were of albums that had been released consecutively between 1977 and 1980. As I reread those reviews - the most recent of which is 14 years old! - I found that I still stand by them. My writing style has mellowed a bit, and I no longer give grades to albums, but otherwise my opinions then are my opinions now. So here you go... Billy Joel: Glass Houses (1980) Billy Joel: 52nd Street (1978) Billy Joel: The Stranger   (1977)