Skip to main content

Fountains Of Wayne - "Troubled Times"

I consider this the final installment of a sporadic episodic sequence, starting back in December with my thoughts on John Mayer's Home Life and continuing in March with the Robbers On High Street's The Price & Style. I never planned to use these song essays in an autobiographical manner, but essays and songs can be tricky like that.

When writing about Home Life, I wrote about how the song spoke to me exactly. The Price & Style found me interpreting non-specific lyrics to fit life experience. This time I want to ponder how a song's lyrics can suddenly become relevant. Take Fountains Of Wayne's Troubled Times, from their second album, Utopia Parkway. It's a lush, harmony-driven ballad that has always stood out on that album as a shoulda-been hit.

The song has a story, but unlike FOW's other work, it's not so easy to figure out. It can be impressionistic at times. The narrator regrets that things have gone sour with a certain someone in his life, someone that was or could have become very special to him. We don't know what kept them apart. Maybe he treated her wrong, maybe she didn't give him enough of a chance. But suddenly our hero has hope again, and the chorus repeatedly claims: "Maybe one day soon / it'll all come out / how we dream about each other sometimes."

I always liked the song, but not until recently did I identify with it. Let's just say the idea of two people looking for romantic redemption is very relatable to me right now. Now lines drop in and speak to me. Things like, "all you imagined / fit so well into your plans" and "start with a weak foundation / it will lead to ruin."

Where the first two installments of this trilogy ended on notes of regret, this one is fittingly more upbeat.

Album: Utopia Parkway (1999)
Fave Moment: The background vocals at the end of the bridge.

Comments

Anonymous said…
This comment has been removed by a blog administrator.
Anonymous said…
This comment has been removed by a blog administrator.

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n...

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

Rock Bottom: The Beach Boys

The one constant in every established artist's oeuvre is the bad album , the one that's reviled by both fans and critics. Those unlovable albums are the ones this feature, Rock Bottom , is concerned with. Here's how it works: I've consulted three sources, the AllMusic Guide and Rolling Stone (for the critical point-of-view) and Amazon.com (for the fan perspective*). The album with the lowest combined rating from both sources is the one I'll consider the worst. I may not always agree with the choice, and my reviews will reflect that. I'll also offer a considered alternative. Finally, there are some limits. The following types of albums don't count: 1) b-sides or remix compilations, 2) live albums, 3) albums recorded when the band was missing a vital member, and 4) forays into a different genres (i.e. classical). *A note about Amazon.com. I consider this the fan perspective, because most people who choose to review albums on this site are adoring fans of ...