Skip to main content

James Taylor - "Baby Boom Baby"

This is my confession: My mom is the single biggest influence on my musical tastes. It's not cool, I know. My dad is the one who was hip in the '80s. When I was ready he turned me on to Talking Heads, Elvis Costello, XTC, Roxy Music, Marshall Crenshaw, and many other great artists.

My mom, on the other hand, was square. Her tastes ran in directions generally reviled by my dad: Elton John, Billy Joel, The Carpenters, Lionel Richie, and James Taylor.

(In college my parents went to see James Taylor in concert. It was today's equivalent of a guy having to go to a John Mayer concert with his girlfriend. My dad just barely stomached it; my mom loved it.)


Just as with their politics and religious beliefs, I feel I've greatly benefited from having two vastly different viewpoints presented to me. About 90 % of the time, I lean toward my father's views, but on music, my heart will always truly lie with the artists my mom introduced to me. That will always be where I go for comfort.

This particular James Taylor song is like a cocktail. It's as though someone took everything that makes the James Taylor sound (complex acoustic guitar picking, faux-jazz, gospely background vocals, introspective lyrics) and put it in a blender. The result is not exactly uniform, but it is smooth. I first heard this song via my second college roommate, Tim. He had a compilation CD used for testing high-quality sound systems (how he came across it I'm not sure...he's the type of person who just comes across things) and this song was on it. We both loved it and we'd play it over and over again.

Given that my mom played James Taylor's Greatest Hits to death, I know every lyric back and forth, so it's something when I say that this song has the most memorable lines of any of his songs, lines that recur to me at the most random of times:

  • "Somehow the season always brings a picture of you"
  • "Worked on a letter / But it never made it out of my head"
  • "How come I miss what I never knew / Drag out the past just to paint it blue"
  • "I work hard to see that you remember my name / Do all I can to make you want to see me again"
  • "My feet are frozen and my heart's on fire"
As far as I can tell there's no real story to the lyrics; maybe it's about a past romance or friendship, or even a family member. Clarity isn't the point. Instead, the song creates a feeling; a general sense of resignation and thoughtfulness that suits any sort of reflective mood.

Album: Never Die Young (1988)

Comments

Popular posts from this blog

Honoring the Legacy of REO Speedwagon

I suppose I should have known the saga of REO Speedwagon couldn't end with a whimper. Before I get into the latest developments, here's a brief review of what's happened so far: In September 2024 came the announcement that the band was effectively breaking up at the end of the year. Apparently, frontman Kevin Cronin ruled that bassist Bruce Hall was no longer fit to continue touring following back surgery in summer 2024. Hall felt otherwise. Here we learned that REO had essentially become a three-way partnership between Cronin, Hall, and Doughty (who retired from touring in January 2023) following the departure of original members Alan Gratzer and Gary Richrath in 1988. Doughty sided with Hall, so Cronin was outvoted 2-1. No Bruce Hall, no REO Speedwagon. In December 2024 Cronin revealed he would continue performing REO Speedwagon songs with the two musicians who replaced Doughty and Hall, as well as Brian Hitt and Dave Amato (who replaced Gratzer and Richrath), with the on...

The Unlikely Musical Life of Tom Kelly

You may not know the name Tom Kelly, but I guarantee that you've sung along to songs he wrote.  Born in West Lafayette, Indiana in 1952, Tom moved to Effingham, Illinois when he was 11 years old, just in time to witness the Beatles' debut on Ed Sullivan. Bit by the rock music bug, he joined a local band called the Trifaris, singing and playing bass. His family moved back to Indiana in '66. When Tom finished high school, he decided to go to college in Illinois, but his choice was made based on extracurricular factors, not academic ones. "I started at Eastern [Illinois University] because there was a band,” he told the Effingham Daily News in 2011, “Then I transferred to Southern [Illinois University] because there was another band.”  Champaign, Illinois  Continuing his college hopping, Tom headed closer to home to attend Purdue, and there he had a group called The Gaping Huggers, comprised of former fellow Trifari JC Marshall on drums, and University of Illino...

86. The Magic Numbers - The Magic Numbers (2005)

Very few things in life can sustain the same level of excitement from beginning to end, and The Magic Numbers' debut album is no exception. Like a party that's loud, full and hoppin' from the get-go and then eventually dwindles down to a quiet few, the CD makes its statement early and then fades away. Mornings Eleven is a helluva opener. It consists of two separate sections; the first makes you want to shake your ass, the second makes you want to swoon. Going from country-rock boogie to '50s doo-wop harmony, the two movements spend the song alternating back and forth, and it's effective enough to make the 5-and-a-half minute running time seem too short. As the album continues that becomes a recurring theme. The songs are long, but rarely overstay their welcome. That's a tribute to Romeo Stodart's compositions, but another factor may be that the group consists of two sets of brothers and sisters (the Allman Brothers would be proud). I believe that familial s...