Skip to main content

24. The Bens - self-titled EP (2004)

What's with singer-songwriters and forming super-groups these days? Right on the heels of The Thorns come The Bens. Who knows how or why The Thorns got together, but Ben Lee, Ben Kweller, and Ben Folds seem to think having the same first name is reason enough to form a band.

Seriously, the conundrum when three songwriters get together is: Can they really make music collaboratively after working solo, and if they can, are the results better than the solo work would have been, or are the songs compromised?

The Thorns showed this to be a limitation; though all their songs were credited to the band, it was quite obvious who wrote what. I Can't Remember sounded like a Matthew Sweet song and would have worked on one of his albums. Runaway Feeling sounded like a Pete Droge song and could have been on one of his albums.

At first The Bens really seem to make an attempt to avoid that. On the first of the four songs, Just Pretend, the boys take turns on lead vocals. They also harmonize on the chorus, much like The Thorns.

The second song, XFire, stretches the equality, but without the Crosby, Stills, & Nash vibe. Kweller and Lee share lead vocals, but it sounds like a loose Cars tune, complete with synthesizer and robotic voices. It's quite catchy.

But just when The Bens really seem to be whipping up the community spirit, we come to the final two songs. Stop! features only one vocalist (could be Lee or Kweller...I'll be damned if I can tell their voices apart), and could be a Velvet Underground track. Though it's not bad, it features little evidence that three talented songwriters participated in its creation.

Bruised, on the other hand, is wonderful. It sounds like an instant classic, and evokes everything that was good about Christopher Cross. It has sensitive lyrics, virtuoso piano playing and great harmony vocals. But only the guitar part gives any clue that it's something more than a Ben Folds solo piece.

I guess that leads us back to my opening question. If it's so difficult to work together, why even bother forming the group? In the case of The Thorns and The Bens, it certainly doesn't seem like a commercial decision. I guess I shouldn't complain; I'm happy to have more Ben Folds songs in the world. But a new solo album would have served the same purpose.

So here's your answer. (And I haven't just been setting up straw men to knock down; I've come to this conclusion as I've been writing). If you look through your Rock History books, you'll quickly find that nearly every great band has had more than one talented songwriter. It's practically a formula for quality. Should I be harsher on this band (or The Thorns) just because they were all solo before? No.

So really, my only complaints are these: 1) It would be nice if they picked a style (and Just Pretend is a good place to start) and 2) They need to put out more songs.

I guess I could have just written that in the first place and saved the trouble!

Rating: B
Fave Song: Bruised


Note:

Here are some other lads that might consider getting a group together:

The Davids
David Bowie (lead vocals), Davy Jones (from The Monkees, tambourine, backup vocals), David & David (guitar, bass, backup vocals) and David Robinson (from The Cars, drums)

The Pauls
Paul Simon (vocals, lead guitar), Paul McCartney (vocals, bass), Paul Carrack (vocals, keyboards), Paul Stanley (from Kiss, rhythm guitar) and Prince Paul (drum machine and sampling)

Comments

Popular posts from this blog

REO Speedwagon: R.E.O. Speedwagon (1971)

REO Speedwagon got its start in the late 1960s on the campus of the University of Illinois in Champaign/Urbana. The band grew out of a friendship between a students Neal Doughty (piano/keyboard) and Alan Gratzer (drums). Joining up with a couple of other musicians, they took the name R.E.O. Speedwagon. It wasn't long before they started getting gigs at parties and bars, doing covers of the hits of the day. The band cycled through several players in its first three years, with Gratzer and Doughty as the only constants. One-by-one they added the members that would form the first "official" lineup: singer Terry Luttrell in early 1968, bassist Gregg Philbin later that summer, and guitarist Gary Richrath at the end of 1970. Richrath was a native of Peoria, 90 miles northwest of Champaign, and had essentially stalked the band until they let him join. It was a good move, as he not only an accomplished guitarist, but also a songwriter. With Richrath the band ascended to the n...

Stuck, or Obsession Cessastion

You may have noticed that things have slowed down around here. I had the summer off from teaching, and I spent it with my 7 month-old son. I gave myself permission to make this blog less of a priority. Well, "less of a priority" is putting it lightly. Initially, I considered an abrupt retirement. But then I reconsidered. Maybe the proximity to Brett Favre is causing this. If you're a long time reader, this is probably not all that surprising to you. Since 2007, it has become an annual ritual for me to soul-search about my waning interest in music. First I blamed an inability to express myself and a lack of quality music . Then in 2008 I cited new technology and the death of the album . Last year I wrote about how my changing life priorities hindered my ability to seek out new music. I've done a lot of thinking about it this summer and in truth I believe this was all just dancing around the issue, a slow realization of something I didn't want to admit to myse...

Rock Bottom: The Beach Boys

The one constant in every established artist's oeuvre is the bad album , the one that's reviled by both fans and critics. Those unlovable albums are the ones this feature, Rock Bottom , is concerned with. Here's how it works: I've consulted three sources, the AllMusic Guide and Rolling Stone (for the critical point-of-view) and Amazon.com (for the fan perspective*). The album with the lowest combined rating from both sources is the one I'll consider the worst. I may not always agree with the choice, and my reviews will reflect that. I'll also offer a considered alternative. Finally, there are some limits. The following types of albums don't count: 1) b-sides or remix compilations, 2) live albums, 3) albums recorded when the band was missing a vital member, and 4) forays into a different genres (i.e. classical). *A note about Amazon.com. I consider this the fan perspective, because most people who choose to review albums on this site are adoring fans of ...