Simon & Garfunkel - "A Simple Desultory Philippic (Or, How I Was Robert McNamera'd Into Submission)"

An oddity in the mostly gentle and humor-free ouvre of S & G, this song serves as both great parody and social commentary. The former takes aim at Bob Dylan, who at the time was Paul Simon's chief folk-poet rival (and who would undoubtedly but unfairly receive more serious analysis). So here Simon proves he can do Dylan. The music is organ-tambourine-harmonica driven in the obvious style of Mr.Zimmerman. The title too seems to be a swipe at Dylan's thesaurus-searching style. Translated it means "a random verbal insult."

The lyrics even reference Dylan twice, once condemning someone for confusing Bob Dylan with Dylan Thomas and again in the stolen combo line: "It's alright ma, everybody must get stoned!"

In terms of social commentary, the lyrics turn many of the leading proper nouns of the current youth culture into verbs, including The Beatles, Mick Jagger, Phil Spector, Andy Warhol, Ayn Rand, Lenny Bruce, and even Art Garfunkel. The narrator seems almost put-out to have to pretend to either admire or loathe all of these people. It really hits at the essence of hipsterdom

I must say that though I like this song very much, I like it even more because of where it's placed on the album, right between two great sensitive songs, Flowers Never Bend With The Rainfall and For Emily, Wherever I May Find Her. It really breaks the mood, provides a laugh, and best of all, uses Dylan's own tricks against him! (Dylan fired back by covering The Boxer on his worst album, Self-Portrait.)

Album: Parsley, Sage, Rosemary and Thyme (1966)
Fave Moment: The outro, where Simon shouts "Folk Rock!" followed by "I lost my harmonica Albert."

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Billy Joel: 1980 - 1977

When I decided to write about every single Billy Joel studio album I knew had a bit of a leg up in that I'd written reviews of a handful of his records already. What I didn't realize until just now was that those reviews were of albums that had been released consecutively between 1977 and 1980. As I reread those reviews - the most recent of which is 14 years old! - I found that I still stand by them. My writing style has mellowed a bit, and I no longer give grades to albums, but otherwise my opinions then are my opinions now. So here you go... Billy Joel: Glass Houses (1980) Billy Joel: 52nd Street (1978) Billy Joel: The Stranger (1977)

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